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...told by experts that, when painting in oils, we should not represent things exactly as they are: for this there exists color photography. We must, by means of broken lines and combinations of square and triangular planes, convey the idea of the thing rather than the thing itself. I can't for my part see how color photography could make a meaningful selection of figures and compose into a single image the Easter procession at the Patriarchal church in Peredelkino as it is held today, half a century after the Revolution. Yet that picture would explain a lot, even...

Author: /time Magazine | Title: World: The Easter Procession | 3/21/1969 | See Source »

...distinguished pottery and ironwork. Channing devised pyramidal plastic enclosures which permit the pottery to be viewed from every side and eliminate light reflections-a vast improvement on the standard flat, glass-topped case. Ironwork is mounted on open, tentlike forms. To show off the unique collection of ballet costumes, triangular booths were set in surrealist space across wide expanses of floor. Thus the viewer can wander around and encounter each costume-clad dummy individually, each as isolated and unexpected as a presence on a darkling plain...

Author: /time Magazine | Title: Museums: Sprouting a New Wing | 2/28/1969 | See Source »

...plot of the scandal is triangular, and the third party was handsome, mus cular Stevan ("the Bull") Markovic, a 31-year-old Serb who worked for Alain as a combination valet, bodyguard and friend. When Delon and Nathalie sallied forth to Parisian boites and discotheques, surrounded by their band of hangers-on, Markovic was always at their side. Wherever Alain went, in fact, Stevan was sure to go. He lived with them in their plush town house at 22 Avenue de Messine, traveled with them to their luxurious beach home at St.-Tropez. A skilled wrestler, he was equally quick...

Author: /time Magazine | Title: France: The Bodyguard | 2/21/1969 | See Source »

Domestic and Cosmic. "Consider for instance the small scene just underneath the curve of the ceiling between the Prophet Jeremiah and the Sibyl Persica. This triangular picture shows the family of Salmon, one of the ancestors of Jesus. Here, the child leans upon his mother's knee and watches her cutting cloth with a big pair of shears. The pull of the fabric points your eye to something which is happening near by. Glancing up and to the right, you meet with the image in which God the Creator divides Light from Darkness. You are witnessing the same thing...

Author: /time Magazine | Title: Painting: Stair to Heaven | 12/6/1968 | See Source »

After Hardin in second place, the all-winning Harvards took fourth, fifth seventh, tenth, 11th and 12th places for a triangular meet score of Harvard 28, Princeton 50 and Yale 54 and dual meet scores of Harvard 22, Princeton 37; Harvard 21, Yale 40; and Princeton 28, Yale...

Author: By Richard D. Paisner, SPECIAL TO THE CRIMSON | Title: Harvard Runners Win in Big 3 Meet | 11/2/1968 | See Source »

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