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...jury headed by director Francis Ford Coppola, the flesh was on ample display (and with male nudity for once more evident than female, this was the Festival of Many Penises). But the fantasy this year was darker, more disturbing. One of the prime Palme d'Or contenders, Lars von Trier's Breaking the Waves, is a tale of religious and romantic belief, a kind of Song of Bernadette with a goofy, hand-held camera style and a bit of full-frontal. Yet the heroine's ultimate act of faith is to board a ship to be fatally abused by vicious...

Author: /time Magazine | Title: CINEMA: ALL YOU NEED IS HYPE | 5/27/1996 | See Source »

DIRECTOR: LARS VON TRIER...

Author: /time Magazine | Title: The Third Man Scheme | 6/8/1992 | See Source »

WRITERS: LARS VON TRIER and NIELS VORSEL...

Author: /time Magazine | Title: The Third Man Scheme | 6/8/1992 | See Source »

Zentropa gives signs that the answer is yes. This existential melodrama was originally known as Europa, and Danish director Lars von Trier's ambition is that vast: Continent-wide. Set on a German train rumbling through the rubble of World War II -- but suggesting the recent chaos of post-communist Europe -- Zentropa plays like a hallucinogenic remake of The Third Man. A naive American, Leo (Jean-Marc Barr), walks into a web of political duplicity spun by a desperate provocateuse (Barbara Sukowa), a cynical Allied officer (Eddie Constantine) and lots of supporting sharks and werewolves. And where is Harry Lime...

Author: /time Magazine | Title: The Third Man Scheme | 6/8/1992 | See Source »

...Trier will never be nailed on that rap. He passionately promotes himself and European movies. At last year's Cannes festival, when this film lost out to the Hollywood comedy Barton Fink, Von Trier threw a snit fit, angrily claiming that his movie was bolder and better. He was right. Zentropa plunders the film vocabulary -- back projection and superimposition, black-and-white with shrieks of color -- to anchor its weirdness in classical technique. The legerdemain reminds you of the artificial nature of movies even as it draws you back to the era when pictures seduced the audience into a communal...

Author: /time Magazine | Title: The Third Man Scheme | 6/8/1992 | See Source »

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