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When she arrived at Harvard as a freshman, Crimson forward Shana Franklin brought an impressive resume to the table. Three conference championships during her career at New Trier Township High School outside Chicago, including titles in 2001 and 2002 when she captained the team. Five consecutive Illinois state titles with her AAU team. First-team All-State selection. Nike All-American.“She could shoot, put it on the floor, and she was a very smart player,” recalls Crimson women’s basketball coach Kathy Delaney-Smith, who remembers watching Franklin as a high...

Author: By Emily W. Cunningham, CONTRIBUTING WRITER | Title: Franklin Emerges As Leader | 2/15/2006 | See Source »

...hardest tasks faced by any off-duty sportswriter is to convince some people, usually women, that there are qualities to be admired in certain celebrated athletes. Watching, say, Lleyton Hewitt, many struggle to see past the scowling and the obnoxious self-exhortations to the traits that lifted a little trier to the peak of tennis. While most Australians preferred Steve Waugh to Hewitt, many couldn't warm to the cricketer, either. Grim and prickly, Waugh eschewed elegance for efficiency and good manners for a competitive edge. To his eternal credit, he took time out from his sport to mingle with...

Author: /time Magazine | Title: Waugh Carries His Pen | 11/7/2005 | See Source »

...best. The last films Fellini and Satyajit Ray made never opened here; neither have the most recent films by Godard, Resnais, Antonioni and Kurosawa. The Netherlands' Paul Verhoeven (Spetters) joined a century-long exodus of European talent to Hollywood (where he made Robocop and Showgirls). Denmark's Lars von Trier (Breaking the Waves) stayed in Europe but made films in English. That leaves a new generation of world masters--Greece's Theo Angelopoulos, Taiwan's Hou Hsiao-hsien, Iran's Abbas Kiarostami--that is largely unknown to Americans. "The auteurs are there," says Harvey Weinstein, co-chairman of Miramax Films...

Author: /time Magazine | Title: CINEMA: FELLINI GO HOME! | 10/20/2005 | See Source »

American gun love has long preoccupied and puzzled foreigners. So it's appropriate that an all-fired-up allegory on the subject, Dear Wendy, should come from perennial bad boy Danish filmmaker Lars Von Trier (Breaking the Waves), who wrote the film, and his protg Thomas Vinterberg (The Celebration), who directed. Set in a nameless U.S. town, the movie is framed as a letter written by a pensive idealist named Dick (Jamie Bell) to the love of his life--a handgun. Dick, who abhors violence but is fascinated by the workings and personalities of firearms, has gathered...

Author: /time Magazine | Title: Movies: Sticking to Their Guns | 9/18/2005 | See Source »

...Trier has a tendency to go overboard in his denunciations of American violence (Dogville). By contrast, Dear Wendy is a cogent, comprehensive take on the land and the films that obsess him. In his upended western plot, these nice kids are inventing villains, reacting to outside threats that don't exist. By the end, the political implications are clear: the U.S. sees itself as the lonesome marshal--Gary Cooper in High Noon--when in fact it possesses the world's biggest arsenal and is making more trouble than it's preventing. Or not. But you needn't agree with this...

Author: /time Magazine | Title: Movies: Sticking to Their Guns | 9/18/2005 | See Source »

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