Word: trigorin
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Teachers' and schoolgirls' hearts are made to be broken, and An Education makes that trip too. Virtually the entire cast contributes to make it an enchanting ride. Sarsgaard, a stalwart of Amer-indie films (Kinsey, Elegy, Jarhead) who as Trigorin was also Mulligan's love interest in The Seagull, easily inhabits David, making him a creature of charm and mystery. The smaller roles are nicely filled out as well, including Cara Seymour as Jenny's quiet mother and Matthew Beard as a gauche student whose dreams of dating a precocious teen Jenny and Jack keep smashing...
...success as an actress and cultural savvy as a socialite affect everyone around her, especially her son, the ambitious playwright Konstantin Treplev (Liam R. Martin ’06). Other involving characters include the ailing Sorin (Sean P. Bala ’09), the conflicted, self-important writer Trigorin (Jack E. Fishburn ’08) and the aspiring actress Nina (Sophie C. Kargman...
...like position to be in. And in this position, rather than passing judgment on characters as we might in everyday life, we often find ourselves more accepting of other people's faults. Characters whom we might find repulsive were we to meet them on the street--Chekov's Trigorin or Mamet's Don in American Buffalo--take on a surprising pathos in the theater. Much of this is undoubtedly due to the skill of the playwrights, actors and directors involved, but I would argue that just as much of it is due to the fact that the audience...
...mind, one of the great shortcomings of theater--at least as a moral force--is that the sympathy we extend to characters while we are part of an audience rarely carries over into our everyday lives. The darkness of a theater may allow us to feel compassion for a Trigorin or a Don on stage, but when daylight returns and we meet similar people in our lives we revert back to judgment and condemnation. We have to. We are no longer unobservable. We exist, and so long as we choose to exist we have to defend that existence. Judgment...
...Voight, returning to Broadway for the first time in 25 years, gives an unshowy performance as the celebrity writer Trigorin that subtly conveys the character's lonely, inward-looking obsession with his craft. As the actress Arkadina, Tyne Daly stresses monstrous self-absorption. Not for Daly the customary dotty unawareness of how she puts down her son, a would-be avant- garde playwright; each belittling gesture is calculated cruelty. As the son, Ethan Hawke solves the play's pivotal problem, foreshadowing the youth's instability and making clear why he and not his at-wit's-end beloved, Nina, commits...