Word: trigorin
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Dates: during 1970-1979
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...stage, simply do not generate enough excitement as the principle characters. Some of the actors cannot convincingly portray characters who are supposed to be older than they are. Frank Leupold, as the old man, Sorin, exaggerates his senility too much to be effective. Scott Munerbrook, as the successful writer Trigorin, on the other hand, looks and acts too young for the part. There were, however, two fine performances, by John Archibald as Doctor Dorn, and Anne Garrels as the aging but beautiful actress Arkadina. Both are completely right for their roles, in looks, movement, and tone of voice...
...little play sounds like Words worth rewriting Manfred. It is the funniest satire of its kind since Dickens' Two Transcendental Ladies in Martin Chuzzlewit ("Mind and matter glide swift into the vortex of immensity. Howls the sublime and softly sleeps the calm Ideal, in the whispering chambers of Imagination.") Trigorin, the writer, is corpulent with sensitivity. He is incapable of both love and brutality, the romantic gestures of pity and hatred. He is wildly popular, and decently agonized about it. He is closed off to the turmoil of the dilating implications of things, a receptivity which may be inspirational...
...SEAGULL reaches its climax with Arkadina's line to Trigorin, "I'm the only who knows the truth about you." But the candor of detached analysis is only more sophisticated romantic illusion. Self-revelation is a mist of uncynical dream and deception. And this leads to the main reason why the audience feels depressed rather than exhilarated by a Chekhov comedy. The audience can rarely indulge in detached laughter at the characters' expense, because there is no comic spectacle of abstracted human follies on stage, only a concentration of suggestions and perceptions of errors which the audience understand no more...