Word: trillings
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...Crooner Alice Faye differs from operatic Soprano Kirsten Flagstad, so differs the beauteous yellow parlor canary from that less spectacular-looking musical technician, the Glucke Roller Canary. Ordinary house canaries just sing. Rollers roll. They trill and pipe some twelve identifiably different kinds of music. For 400 years eager teachers have bred away their natural song, using organ music to teach them Gluckes and Rolls, using running water to teach them the elegant Deep Bubbling Water Tour. Modern breeders lef young birds learn by listening to older champions. Some trainers have tried phonograph records, but not successfully. The birds learn...
Inmates of the Chicago Industrial Home for Children at Woodstock were convinced last fortnight that a canary was loose somewhere in the building. Day after day they heard it chirp and trill. Day after day they searched for it high & low without success. Then one day the school manager heard the piping behind him, turned and beheld its astonishing source-a small, greyish brown mouse...
...questioned the artistic value of the human whistle. He had felt really frustrated at the age of 12, when his boyish soprano voice broke and his only musical outlet was whistling. He learned then to produce his tones breathing in or out, to hold a long-sustained legato, trill like a coloratura. After his graduation from Bucknell University (Class of 1928) he began his double life: Five days a week he is Edward B. Dolbey, working in his father's chemical shop. Saturdays and Sundays he is Andrew Garth, the whistler, who lists himself as such in the Philadelphia...
...dchen, in which she made a sustained low D seem incidental to the horror of the dying girl, the call of Death itself. Thereafter came an aria from Verdi's Don Carlos, made vivid by canny restraint. With Sibelius' Die Libelle she proved that she could trill. After spirituals the audience clamored for encores for a good half hour, until the hall's lights were dimmed and the curtains finally closed. Most singers are all too eager to capitalize on a sure-fire success. To get a glimpse of Marian Anderson after last week's concert...
...important patrons as Charles Henry Swift, Rufus Cutler Dawes, Harold Fowler McCormick, Conductor Stock. Pianist Josef Hofmann was playing two blocks away but a good-sized audience came to hear Rosenstein, heartily applauded his poise throughout a difficult program, his accurate speed in Tartini's Devil's Trill Sonata, his purity of tone enhanced by a $20,000 Stradivarius lent him for the occasion...