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...lesser but still extraordinary sculptors waiting pliably at Cosimo's beck and call. There was the fabulously eloquent Giambologna. There was Bartolommeo Ammannati, who made the Fountain of Neptune in the Piazza della Signoria, designed the courtyard of the Palazzo Pitti and created the exquisite curve of the Sta. Trinita bridge over the Arno. Benvenuto Cellini did for Cosimo the bronze Perseus decapitating Medusa that still stands in the Loggia dei Lanzi, an allegory of the triumph of Virtue over Cosimo's enemies. Medusa's gore, solidified in bronze streams, is one of the most (literally) bloodcurdling images...

Author: /time Magazine | Title: Art: Mighty Medici | 12/9/2002 | See Source »

...lesser but still extraordinary sculptors waiting pliably at Cosimo's beck and call. There was the fabulously eloquent Giambologna. There was Bartolommeo Ammannati, who made the Fountain of Neptune in the Piazza della Signoria, designed the courtyard of the Palazzo Pitti and created the exquisite curve of the Sta. Trinita bridge over the Arno. Benvenuto Cellini did for Cosimo the bronze Perseus decapitating Medusa that still stands in the Loggia dei Lanzi, an allegory of the triumph of Virtue over Cosimo's enemies. Medusa's gore, solidified in bronze streams, is one of the most (literally) bloodcurdling images...

Author: /time Magazine | Title: Mighty Medici | 12/5/2002 | See Source »

Corot's small oils of subjects like the view from the Pincio across Santa Trinita del Monte and the panorama of Rome below, and his studies of rustic places like Civita Castellana, were never meant to be shown in public. Until 1849 none were. They were intended solely as preparations for larger studio compositions, but these rarely have the elan and directness of his first insights. For him they were triggers of memory. "After my excursions," he wrote, "I invite Nature to come and spend a few days at home with me; brush in hand, I hunt for nuts...

Author: /time Magazine | Title: ART: BRINGING NATURE HOME | 3/25/1996 | See Source »

...month after Santa Trinita's destruction Architect Luigi Bellini surveyed the ruins jutting like stumps from the Arno's muddy waters, vowed, "We shall have a new bridge-where it was, and as it was." A citizens' committee headed by Berenson raised $100,000 abroad, Florentines contributed $30,000, the national government added a final...

Author: /time Magazine | Title: ITALY: Bridge on the Arno | 3/31/1958 | See Source »

...last week Italian Premier Adone Zoli went up to Florence on a ceremonial visit, and the city's church bells tolled all day. Three years abuilding, the Ponte Santa Trinita was formally inaugurated. The head of the statue of Spring was missing (some Florentines claim an Allied soldier took it), but Florentines contentedly examined the swirl of water under the arches and pronounced it just the same. To those who objected that "after all, the bridge is only a full-scale model of the original," Gizdulich replied: "Even though orchestras are not the same as they were then...

Author: /time Magazine | Title: ITALY: Bridge on the Arno | 3/31/1958 | See Source »

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