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...bastard brother of Portishead’s “Third,” another album that fans waited over a decade for. “Third,” released in April, seduces the listener with labyrinthine tracks, sounding like pared-down, refined versions of the trip-hop trio??s old songs. (Metallica also scaled down their sound for “Death Magnetic.”) Guns N’ Roses has taken the opposite tack as Portishead and Metallica, slapping a sanctimonious album cover on 14 floppy messes and billing the resulting album...

Author: By Kyle L. K. Mcauley, CRIMSON STAFF WRITER | Title: Guns N' Roses | 12/5/2008 | See Source »

...York Times is to be believed, President-elect Barack Obama is preparing to do the unthinkable: cut the defense budget. According to David Sanger ’82, Obama selected his foreign policy trio??Hillary Clinton at State, Robert Gates at Defense, and Jim Jones as national security adviser—based on their shared determination to shift resources from the military to diplomacy...

Author: By Dylan R. Matthews | Title: The First Cut is the Deepest | 12/3/2008 | See Source »

...disc is enticing in that the first three songs—“If I Were a Boy,”” Halo,” and “Disappear”—show the Beyoncé we all know and love. The trio??characterized by catchy hooks, a twilight synthesizer and an up-tempo clap beat—build up expectations that are flattened by the latter part of the disc. It’s not that the songs are bad or even remotely cacophonous; it’s that...

Author: By Evan Kendall, CRIMSON STAFF WRITER | Title: Beyoncé | 11/21/2008 | See Source »

...always been moved to express physically,” she said. “Dancing is primal, it’s what we do.” As she moved onstage later in the evening, coaching members of the class in their rendition of “Manson Trio?? from “Pippin,” Neuwirth’s love of dance was evident. She first worked on this piece with fellow dancer Pam Sousa, who had learned it directly from Bob Fosse, the original choreographer. Neuwirth, who has also worked with Fosse in other productions...

Author: By Olivia S. Pei, CONTRIBUTING WRITER | Title: Triple Threat Comes to Cambridge | 11/7/2008 | See Source »

...they played, Previn sat on the side, following along with a Brahms score.In response to the performance, Previn focused on certain passages in the piece, asking the trio to repeat specific parts of the movement. But he did not only focus on technicalities; he also made remarks about the trio??s holistic playing. “You don’t have to stick to the absolute metronomic legitimacy of this,” he said. “If you feel like it should go faster or slower, just do it.”Throughout the discussion...

Author: By Natalie J. So, CONTRIBUTING WRITER | Title: Previn Shares Musical Insights | 10/9/2008 | See Source »

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