Word: trio
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Dates: during 1990-1999
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After freshman Dora Gyorffy finished competing in the high jump in the NCAA Championships on Saturday, she watched her roommates Lisa Kowal and Erin Treacy on T.V. Gyorffy was in Indianapolis and Kowal and Treacy were in Palo Alto, CA, but one thing united the trio: each had witnessed a remarkable first...
Rubalcaba opens his set with a moderately-placed reading of Gary Peacock's "Vignette," and, when the remainder of the trio kicks in, we get to appreciate Haden's tasteful and supportive, but never cliched, accompaniment style. His use of unison double-stops on the opening cut is particularly striking, and his unerrant intonation and rhythmic sense carry throughout the performance. Unlike some of the younger bassists in jazz today, Haden does not rely upon technically impressive devices such as quadruple-timing or playing at the extreme high registers of his instrument to carry his solos. This...
...Haden's trio with Geri Allen feels less like a vehicle for showcasing the pianist and more like a veteran, integrated combo--no surprise, since they had played and recorded together well prior to the engagement, unlike the group with Rubalcaba. Allen's set is also evenly divided between the compositions of Allen, Haden and Motian, while Rubalcaba's featured three Haden tunes and three standards...
...freely of bar downbeats, as well as her use of parallel octave lines and other mannerisms, suggest a strong Bill Evans influence. Her music flows a little more freely than Rubalcaba's, at least in these performances, and she introduces elements of chaos and abstract texture that the other trio never attempts...
Haden's elegant "First Song," are of a moreexploratory and less melodic vein than thosechosen by the Rubalcaba trio. Motian seems to bemore involved in Allen's trio, venturing into theforeground even when not soloing...