Word: trio
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Dates: during 1990-1999
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...group talked for a few minutes and then started making phone calls. To whom? To an unlikely trio indeed: former President Jimmy Carter, former Chairman of the Joint Chiefs of Staff Colin Powell, and Senate Armed Services chairman Sam Nunn. The urgent conversations went on until Friday afternoon. By then the last U.S. warships in a 23-vessel armada were nearing their battle stations off Haiti, and Pentagon briefers were telling reporters that American forces would be ready to begin the invasion anytime after dark Sunday...
...former President was being held to a tightly limited brief. The delegation was not permitted to make any deals with the three Haitians, who all had to go: Armed Forces Commander Cedras, the de facto dictator; chief of staff Philippe Biamby, now thought to be the strongest of the trio; and police chief Michel Francois, once the chief tough guy. The Americans could only negotiate on "the modalities" of getting the three out of the country: how many family members each leader could take with him, how big a plane he would need, when it would take off and where...
...feelers about leaving for at least two months. All their offers bore conditions unacceptable to the U.S.: that ousted President Jean-Bertrand Aristide not be allowed back, that Jonnaissant, Cedras' 80-year-old puppet president, stay in office, that only one or two of the Cedras-Biamby-Francois trio leave...
...have to feel sorry for the big U.S. television networks. Just as they were gearing up for the big invasion of Haiti, the dynamic trio of Carter, Nunn, and Powell had to fly in and make boring news. Everyone knows that bland, bloodless sound bites don't sell. Just who do these eleventh-hour dei ex machina think they...
...creative trio only Levine trusted his material and worked to burnish it. His Wagner has been criticized for being too slow. Certainly he chooses rapture rather than excitement. In the Festspielhaus, with its marvelous acoustics, every instrument is audible and clear. Under Levine's baton the music seems translucent, and the melodies play themselves. "It is as if I am standing in front of a treasure chest," the conductor says, "and the idea is to draw it all out where the listener can hear it and feel it and get involved...