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...pleasant, but unoriginal, pop formula. Unfortunately, their new album deviates from their previous work and plops them back in the queue. The band’s third outing, “Time to Die” features a fuller sound, in part because The Dodos are now a trio. New member Keaton Snyder’s vibraphone augments Long’s vocals and acoustic guitar, as well as Kroeber’s drums. The xylophone-like instrument contributes to the Dodo’s new, more complex musical approach, but it is not the only culprit. In addition...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: The Dodos | 9/18/2009 | See Source »

...consumers in the late '50s, folk music was the Kingston Trio, with their frat-boy élan and their repertoire purloined from Seeger and other traditionalists. Then one man suggested that the genre could be bigger. "The American public is like Sleeping Beauty, waiting to be kissed awake by the prince of folk music," said Albert Grossman, a Chicago entrepreneur, at the first Newport Folk Festival, in 1959. Bob Dylan, whose manager Grossman became in 1962, may have been that prince, but the raspy-voiced kid needed troubadours to sell his message to the masses. Grossman had seen Travers perform...

Author: /time Magazine | Title: Folk's Beloved Princess: Mary Travers Dies at 72 | 9/17/2009 | See Source »

...brothers and my sisters" and helped make the number an anthem for the decade's civil-rights movement. Their rendition was a highlight of the 1963 March on Washington; another was Martin Luther King Jr.'s delivery of his "I Have a Dream" speech. Unlike the studiously apolitical Kingston Trio, PP&M attached their celebrity to progressive causes - and would continue to do so over the 47-year life of the group...

Author: /time Magazine | Title: Folk's Beloved Princess: Mary Travers Dies at 72 | 9/17/2009 | See Source »

Like many folk groups, they found their material by scouring old songbooks and listening attentively to obscure albums on the Folkways and Vanguard labels. One Vanguard trio, the Greenbriar Boys, expressed resentment when PP&M used their arrangement of the English ballad "Stewball" for yet another hit single. But Seeger said he was pleased by PP&M's version of "Where Have All the Flowers Gone," which he had adapted from a Cossack lyric (and to which folk singer Joe Hickerson added the final verses). Voilà! One more antiwar ballad to insinuate its thesis into the minds...

Author: /time Magazine | Title: Folk's Beloved Princess: Mary Travers Dies at 72 | 9/17/2009 | See Source »

...their scrupulous borrowings, PP&M's most memorable hit came from within the group. When Yarrow was at Cornell, a fellow undergraduate, future indie filmmaker Lenny Lipton, had written a poem in the spirit of Ogden Nash; Yarrow set it to music, and a few years later the trio recorded "Puff the Magic Dragon." This children's song, with its fanciful friendship and lilting chorus, would dominate the Top 40 and be sung in summer camp forever after. To the cognoscenti, this was a drug song in pop-music code: Puff, drag-on, "little Jackie Paper." Hipsters began referring...

Author: /time Magazine | Title: Folk's Beloved Princess: Mary Travers Dies at 72 | 9/17/2009 | See Source »

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