Word: trios
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Dates: during 1960-1969
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...CROWD (Argo) that collects around the solidly welded, ten-year-old Ramsey Lewis trio is quite a sizable mob. This LP, recorded live at the Bohemian Caverns in Washington, D.C., has soared up the pop charts, past such rock 'n' run regulars as the Rolling Stones and Herman's Hermits. The title song has the usu al rocking beat, but Pianist Lewis also dispenses old-fashioned swing, bland harmonies and light-fingered embellishments in such well-worth-repeating pieces as Duke Ellington's Come Sunday and Buddy Johnson's Since I fell...
ORGAN GRINDER SWING (Verve), except for the title piece, has little of the excitement of Monster and is for fanciers of the Hammond organ only. Jimmy Smith's trio (Kenny Burrell on guitar, Grady Tate on drums) plays nine minutes of so-so blues, a bright and shiny Satin Doll, and a wheezing travesty of Greensleeves...
...favorite, was also 1) the winner of the English Derby and 2) a grandson of the U.S.'s Native Dancer. Russia's Anilin had British ancestors. Ireland's Meadow Court, the 1965 Sweeps winner, boasted a British sire, an American dam, and a trio of owners composed of two Canadians and Bing Crosby. Then there was the U.S.'s Tom Rolfe, bred in Kentucky, with a name that goes all the way back to Pocahontas. His daddy and granddaddy were Italian, and his owner is an American who lives in Ireland...
...PURCELL ANTHOLOGY (Angel). Some youthful discretions by England's greatest composer, performed in singing style by Violinists Yehudi Menuhin and Alberto Lysy and members of the Bath Festival Orchestra. Mood and key flash from dark to bright in the short, rich trio sonatas and free-form fantasias for string quartets. Although they show a polite acquaintance with Italian baroque, the selections mind their Purcellian manners nevertheless...
HAYDN: DIVERTIMENTI FOR BARYTON, VIOLA AND CELLO (Nonesuch). Because his patron, Prince Nicolaus Esterhazy, liked to play a hollow-necked, stringed instrument called the baryton, Haydn composed at least 125 divertimenti for it, of which five are exhumed by the Salzburger Baryton Trio. To many ears, the recording will be an eloquent argument for keeping the twangy viol locked in museums...