Word: trios
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Dates: during 1970-1979
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...Chamber Players have augmented their regular series of Monday night concerts with a special one this Saturday night in Paine Hall. Two of the group's professional artists--flutist Paula Robison and Cellist Laurence Lesser--will join the younger artists in performing the famous Nieissen woodwind quintet along with trio sonatas from the baroque period. The concert will be free, and to make the evening complete, refreshments will be served. Paine Hall (music building...
...Jazzboat will be leaving from Long Wharf next to the Boston Aquarium at 7:30 and 9:30 Wednesday with The East Bay City Jazz Band and The Black Eagle. Trio, two of the city's better trade bands, on board. Don Angle will also be playing ragtime piano. Tickets are $4.00 for one show...
Soon after Stafford and ins fellow Apollo crewmen, Donald K. ("Deke") Slayton and Vance Brand, establish direct communications with Soviet Cosmonauts Aleksei Leonov and Valery Kubasov aboard their Soyuz spacecraft, the U.S. trio will begin maneuvering for a delicate celestial embrace with the Soviets that would have seemed an improbable science-fiction fantasy only a decade...
Reaching even further beyond the standard repertory, the all-Harvard team of Richard Kogan, piano, Lynn Chang and Robert Portney, violins, played a Trio by Moskowski, a turn-of-the-century Polish composer. The threesome showed their justifiably condescending attitude toward this shallow piece by appearing in Harvard sweatshirts, matching musical kitsch with visual kitsch. Fortunately, they treated this bubble gum in a sufficiently good-humored way to prevent its sweetness from becoming sickening...
...only trouble spot in the concert was the Weber Trio in G minor. One of only three chamber works by Weber, this piece changes mood rapidly, sometimes striving toward the darker musical depths, sometimes, as in the second movement, content to rely on an engaging dance-like tune. While Kogan showed a sensitive ability to vary his tone and style in response to the shifting demands of the music, flutist Laurel Zucker tended toward shrill, unsupported bursts of sound in the high register in trying to create big dramatic events, and cellist Kevin Plunkett, with gruff attacks and a hard...