Word: trios
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Dates: during 1970-1979
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...Kingston Trio...
...Kingston Trio...
...Kingston Trio...
...beginning where oboe and double bass are in the usual baroque soprano-to-bass opposition. Suddenly the bass drops away but a listener cannot but help hear the implied harmonies in the highly regular resolution. More lighthearted is the duet between trombone and double bass just before the final trio. The two glissandi in the trombone theme are terribly funny and the audience appreciated it. In general, the orchestral playing was of consistently high calibre, belying the technical difficulties of Pulcinella...
...three singers were at times a trifle overcome by the power of the orchestra, but with such unimportant texts the loss was negligible. The woodwind trio preceding the soprano entrance was beautifully played, as were the string harmonics in accompaniment. No contrast could have been stronger than that of the soprano's aria to the basso's. All three singers sounded best in their first trio: the combined volumes and timbres fitted perfectly with the orchestra. The concert had opened with Glinka's Kamarinskaya, a pleasant diversion which showed off the Orchestra's abilities admirably. The central section...