Word: trios
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Dates: during 1990-1999
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...Trio Armed with Knife Robs Student in Lowell House Suite...
...Surrey" was given an original, rhythmically complex reading that offered a good opportunity for the trio to show that they were a cohesive group, not just a haphazard all-star assembly. The ease with which McBride navigates his hulking instrument was immediately apparent. He laid a solid foundation for the tune as Blade tastefully used brushes on his kit alongside. Redman then hung on a high note and slid upward to mark the beginning of his solo, in which he demonstrated his full, thick tone in all registers of the instrument. It was an apt starter for the show--giving...
...relief of some listeners, McBride picked up his upright bass immediately after finishing "Twenty-Seven Summers," and the trio launched into a swinging, up-tempo 12-bar blues. With McBride walking up and down his bass and Redman offering some bluesy riffs, the audience got right back into it and afterwards applauded enthusiastically as the trio took a collective bow, arms over each others' shoulders...
...once again, and this time the choice worked perfectly. The group traded fills and tossed riffs back and forth for this bluesy, funky tune, clearly having a good time. After an intense climax that ended with a flourish, the audience got to its feet and cheered wildly as the trio retreated back-stage. Clearly, everyone in the audience was asking themselves how soon they could see this dynamic trio perform again...
...satisfyingly rich, juicy slice of '50s noir, and quite possibly the most deftly crafted film to emerge yet this year. Slicker and less disturbingly gritty than "Chinatown," but more bang-out entertaining, it's boosted by a a superlative cast--the crown jewel of which is a trio of masterful performances by Kevin Spacey and Aussie newcomers Russell Crowe and Guy Pearce (particularly the latter) as the unlikely LAPD allies who attempt to disinter the sordid, convoluted truth behind an apparently cut-and-dried murder case...