Word: trios
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Dates: during 2000-2009
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...that have] talent that also have to fit in with the team. I think that Whitney and Ling Ling and Baumer, they love it on the team already, that’s why they decided to come here.”Even before coming to Harvard, this Canadian rookie trio accumulated impressive competitive experience, displaying their talents under highly competitive conditions for club teams. Kennedy played for the Toronto Junior Aeros, while Lok and Baumgartner were teammates on the Richmond Pacific Steelers, which Baumgartner captained in the 2007-08 season.Kennedy made her name at St. Mildred’s-Lightbourn...
...cross-legged into her chair. Opposite her is Harvard Business School student Elizabeth R. Whitman ’06, who co-founded the fashion line Lewis Albert as an undergraduate. Whitman smooths out her full black skirt as she makes final comments on her score sheet. Rounding out the trio is Timothy M. Parent ’09, founder of fashion show Project East. Clad in a naval jumpsuit and fierce boots, Parent has cutting opinions—and an even sharper tongue—when it comes to fashion...
...number of times Cao uses the word noise with reference to the trio is impressive - they play "harsh noise" and host monthly noise gigs for "noiseheads." His list of influences reads like a Who's Who of noise acts - Osaka performance-art group Hijokaidan and its spin-off Incapacitants, Tokyo ambient-rock act the Gerogerigegege, U.S. conceptual-art group the Haters, Canadian noise combo the Rita and several others. "I turned to making this sort of music because rock is boring," says Cao with wholly unnecessary emphasis...
...store in its heyday, either: it had outlets on three continents and annual revenue of about $40 million. But right from its 1984 launch in a Sydney motel, Mambo in spirit was always the quirky interloper contending with surfwear's super-heavyweights, the all - Down Under trio of Billabong, Quik?silver and Rip Curl...
...constantly changes from moments of elation to emotional turmoil. However, Levine pulled out passionate swells throughout the first movement, with exuberant fanfares and quiet textures.The second movement, a waltz in an unexpected 5/4 time, was performed with light playfulness. The form of the movement is a simple scherzo and trio, one part more lively and one more sedate, and both were played with grace and beautiful phrasing. There was particularly good communication between the wind chorale theme and the pizzicato accompaniment of the strings, which gave a sense of dance to the entire movement. The third movement, a joyous...