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...find it hard to imagine the power of blasphemy to the Surrealists. All the same, Ernst came up with the funniest antireligious joke in modern art -- the famous (and, alas, rarely seen) parody of a Renaissance Madonna, in which Mary is whaling Jesus on his bare bottom before a trio of witnesses, Andre Breton, Paul Eluard and Ernst himself...

Author: /time Magazine | Title: ART: The Rebel Dreams of Oedipus Max | 4/22/1991 | See Source »

...actual performance. Short bursts of orchestral music which punctuate the vocals are invariably marred by sloppy entrances and exits. The players are tentative on softer passages and overpowering on louder ones. The off-stage chorus, microphoned in, is almost always off-balance and off-sync, and the vocal "jazz trio" is dull and lifeless...

Author: By Brian R. Hecht, | Title: Lowell House Bungles Bernstein | 4/19/1991 | See Source »

Director Craig Cochrane sets Yesterdays in an elegant, dimly lit nightclub--round tables with gardenia centerpieces surround a low stage flanked by a piano trio. The audience is seated on the 'set,' establishing the intimacy of an actual jazz performance. During the production, beverages and pretzels can be ordered, and chatting is (or seems to be) acceptable--the distinction between theater and cabaret is undermined...

Author: By Alexander E. Marashian, | Title: Yesterday's the Way for Holiday | 4/11/1991 | See Source »

...piano trio kicks in at the end of the first number and accompanies the rest of the show. Craig Hickman performs an animated "Embraceable You"--one of Holiday's most famous numbers--and then introduces Holiday herself, who is played by Ketanji Brown. The transition from student jazz concert to drama is innovative, but awkward. Brown, who affects Holiday's dialect in both her monologue and musical performance, is the only member of the cast/company to represent a historical character...

Author: By Alexander E. Marashian, | Title: Yesterday's the Way for Holiday | 4/11/1991 | See Source »

Throughout the production, admirable renditions of Holiday's most memorable works are interspersed with timely appearances by Holiday's character. The piano trio that accompanies the show, from the Berklee School of Music, is tight, driving and colorful (though naturally they do not capture the sound of Holiday's big bands...

Author: By Alexander E. Marashian, | Title: Yesterday's the Way for Holiday | 4/11/1991 | See Source »

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