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...anything, the trio of incidents has firmed the resolve of women sportswriters to defend their rights. "Ten years ago, Lisa Olson would have stood alone. Today we are all behind her," says Washington Post reporter Christine Brennan, past president of the Association for Women in Sports Media. For Olson, who was booed by the crowd at a subsequent Patriots game, the locker-room imbroglio has taken an immediate toll. Currently on leave, she will probably not be reassigned to cover the team this season. "She's been brutalized. I'm not sure it would be fair to send her back...

Author: /time Magazine | Title: Sport: Trouble in The Locker Rooms | 10/15/1990 | See Source »

...strong program consisted of Haydn's Trio in D minor (Hob. XV:23), Brahms' Trio in C minor (Opus 101), and Dvorak's Trio in E minor (Opus 90, "Dumky"). The Haydn and Brahms are both lyrical pieces, with standard formats of two moderately-fast outer movements which act as a frame for the inner character-piece movements. The Dumky trio is unusual and uniquely beautiful, however, as a set of six successive movements which share the same folk-themes. The choice of pieces on the program created an unusual--but ultimately successful--combination...

Author: By Teresa A. Marrin, | Title: Beaux Arts Trio Shines At Sanders Theater | 10/12/1990 | See Source »

...Brahms trio was performed with considerably more finesse. The broad, tragic opening of the first movement has a striking harmonic similarity to Beethoven's fifth symphony, and the trio expressed this character very clearly. The Beaux Arts musicians seemed more in their element playing dense Romantic music than in the delicate and witty Haydn which preceded...

Author: By Teresa A. Marrin, | Title: Beaux Arts Trio Shines At Sanders Theater | 10/12/1990 | See Source »

...Brahms trio is very symphonic in style, and the Beaux Arts Trio treated it accordingly. While the performance itself was not without flaws, the musicians accurately captured the overall mood for which the piece called...

Author: By Teresa A. Marrin, | Title: Beaux Arts Trio Shines At Sanders Theater | 10/12/1990 | See Source »

...intonation. The violin and celloparts had obviously been worked through--theplaying was natural and blended. Cohen showed abit of spark in the second movement with Dvorak'sfolksy fiddle tune. The great, heaving opening ofthe sixth movement was very successful, enhancedfurther by the spirited and well-executed surpriseending. The Beethoven trio (Opus 1, #1) served asa fun cap to the evening but did not enhance anyof the music which had preceded...

Author: By Teresa A. Marrin, | Title: Beaux Arts Trio Shines At Sanders Theater | 10/12/1990 | See Source »

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