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...trouble started outside Bob Bolton's Bar and Grill in the Livernois-Fenkell section of Detroit. The bar's white owner, Andrew Chinarian, 39, claimed that he had caught Obie Wynn, 18, and two other black youths tampering with his car in the parking lot. As the trio tried to escape, said Chinarian, he fired at Wynn with a .25-cal. pistol and hit him in the back of the head. When word spread through the black community that Wynn was dead (he did not actually die until early the next morning), a crowd...

Author: /time Magazine | Title: The Nation: Close to the Brink | 8/11/1975 | See Source »

...Chamber Players have augmented their regular series of Monday night concerts with a special one this Saturday night in Paine Hall. Two of the group's professional artists--flutist Paula Robison and Cellist Laurence Lesser--will join the younger artists in performing the famous Nieissen woodwind quintet along with trio sonatas from the baroque period. The concert will be free, and to make the evening complete, refreshments will be served. Paine Hall (music building...

Author: By Judy Rogan, | Title: Classical | 8/8/1975 | See Source »

...Jazzboat will be leaving from Long Wharf next to the Boston Aquarium at 7:30 and 9:30 Wednesday with The East Bay City Jazz Band and The Black Eagle. Trio, two of the city's better trade bands, on board. Don Angle will also be playing ragtime piano. Tickets are $4.00 for one show...

Author: By Henry Grigge, | Title: JAZZ | 8/5/1975 | See Source »

Soon after Stafford and ins fellow Apollo crewmen, Donald K. ("Deke") Slayton and Vance Brand, establish direct communications with Soviet Cosmonauts Aleksei Leonov and Valery Kubasov aboard their Soyuz spacecraft, the U.S. trio will begin maneuvering for a delicate celestial embrace with the Soviets that would have seemed an improbable science-fiction fantasy only a decade...

Author: /time Magazine | Title: APOLLO-COI-03: Appointment in Space | 7/21/1975 | See Source »

...only trouble spot in the concert was the Weber Trio in G minor. One of only three chamber works by Weber, this piece changes mood rapidly, sometimes striving toward the darker musical depths, sometimes, as in the second movement, content to rely on an engaging dance-like tune. While Kogan showed a sensitive ability to vary his tone and style in response to the shifting demands of the music, flutist Laurel Zucker tended toward shrill, unsupported bursts of sound in the high register in trying to create big dramatic events, and cellist Kevin Plunkett, with gruff attacks and a hard...

Author: By Joseph Straus, | Title: A Musical Oasis | 7/18/1975 | See Source »

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