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Every pianist, violinist and 'cellist with a yen for chamber music has at one time or another chugged through the Schubert Piano Trio No. 1 in B-flat. It's hazards of technique and intonation are notorious, but somehow the beauty of the work transcends the most adverse of circumstances and comes through in spite of wrong notes, shaky ensemble, and sick intervals...

Author: By Robert G. Kopelson, | Title: Jacques-Louis Monod and Chamber Ensemble | 8/8/1967 | See Source »

...celebrated trio of witches, Houseman has taken up Margaret Webster's suggestion that "we should see as little as possible of the Witches in the flesh of actors or actresses." In all three of their scenes, their voices are broadcast in a strong whisper over loudspeakers. In the first and third, they are not visible at all; and in the second they are represented by vaguely moving black shapes scarcely perceptible on the almost totally dark stage. This approach serves to increase the impact of the Witches as pervasive and ubiquitous symbols of evil. Only one of the voices...

Author: By Caldwell Titcomb, | Title: Only Colicos Excels In So-so 'Macbeth' | 8/4/1967 | See Source »

...world of string chamber music, it takes works of great individuality to prevent the subtleties and arcanities of the medium from melting into homogeneity. The String Trio Op. 45 of Arnold Schoenberg is much like the Sessions in outward appearance: three sections of alternating mood written in a deceptively similar atonal style...

Author: By Robert G. Kopelson, | Title: Felix Galimir and Chamber Ensemble | 7/25/1967 | See Source »

...Schoenberg is in reality quite a different piece. Written slightly over a decade before the Sessions Quintet, the Trio is possibly even more severe in idiom. Where the Sessions is expansive, the Schoenberg is concentrated, pithy, intense. Contrasts are much more frequent and stark, with ferocity and elegy following in close succession in a kind of mosaic sound. Schoenberg's use of effects such as tremolo, col legno and harmonics is absolutely chilling...

Author: By Robert G. Kopelson, | Title: Felix Galimir and Chamber Ensemble | 7/25/1967 | See Source »

CARLA THOMAS, 25, daughter of a Memphis disk jockey, was recently voted the favorite singer of U.S. servicemen in Viet Nam, an honor won last year by the Supremes. Like the Detroit trio, Carla usually persuades by gentleness on The Queen Alone (Stax). Her voice is slightly husky, although at times she hones it to a piercing cry that cuts straight through the rocking under rhythms...

Author: /time Magazine | Title: Television: Jul. 21, 1967 | 7/21/1967 | See Source »

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