Word: trios
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...hard to come by this season, thanks in no small part to the return of the squad’s three Olympians—co-captain Julie Chu, sophomore Sarah Vaillancourt, and junior Caitlin Cahow—from year-long absences. Martin also credits the trio with elevating the tenor of practices.“It just ups everyone’s level of play,” Martin says. “They’re high-caliber players, and having them around pushes you harder. They shoot a little harder, picking on a little more corners...
This year, the trio of co-captain Julie Chu, Caitlin Cahow, and Sarah Vaillancourt has returned to Cambridge with international experience and hardware...
...exception to the forgettable latter portion of the Ellington suites comes with a pared-down trio version of “The Single Petal of a Rose.” On this, one of Ellington’s most beautiful compositions, Harris delicately draws out the richness of his instrument above warmly bowed bass and cello. His gentle touch proves beyond any doubt his astounding abilities as an instrumentalist. On Harris’s own “Gardner Meditations” suite, the group attempts a return to their early form, but never quite gets there: a few moments...
...areas of the ice,” Stone added. Therefore, some of the most promising moments from a team standpoint were when Vaillancourt connected with her two linemates for a lethal combination. To begin the third quarter against the Engineers, Harvard came out on the power play and the trio made quick work of the RPI penalty kill. Just 18 seconds into the period, Vaillancourt gave the puck up top to Chu, who hit Brine down low on the right side with a pinpoint pass that the sophomore banged off the opposite goal post and into...
...surprising level of sophistication. She embodies Kitri’s coquettish character beautifully; Madrigal, though less magnetic, also has his chance to shine, exploding on the stage with an incredible series of leaps and turns in Act I. Kathleen Breen Combes, the most delicate member of the Dryad trio in Act II, brilliantly executes a series of turns in her variation. Act II, in general, is the most traditional portion of the performance, characterized by long synchronized sequences with several rows of dancers. The corps commands less of the stage than in the first act, but nonetheless compels the audience...