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Brenner is known for his ground-breaking contributions to genetics, including identifying messenger RNA and proving that it consisted of triplet nucleotide codes...

Author: By The CRIMSON Staff, | Title: Artists, Scientists, Educators To Receive Honorary Degrees Today | 6/6/2002 | See Source »

Cindy Hickman nearly bled to death the day she gave birth--three months prematurely--to her triplet sons. Weighing less than 2 lbs. each, her babies were alive, but barely. They clung so tenuously to life that her doctors recommended she name them A, B and C. Then, after a year of heroic interventions--brain shunts, tracheotomies, skull remodeling--often requiring emergency helicopter rides to the hospital nearest their rural Tennessee home, the Hickmans learned that their triplets had cerebral palsy...

Author: /time Magazine | Title: On Their Own Two Feet | 2/25/2002 | See Source »

...That first poem in the Boston Review, “[dogs and boys can treat you like trash. and dogs do love trash]” has the triplet rhyming that you often find in rap. I must say that Sugarhill Gang and Grandmaster Flash were as important to me as Gertrude Stein and John Keats. I don’t think that’s true of every poet...

Author: By Jasha Hoffman, CONTRIBUTING WRITER | Title: 'Cocktails' For Two: Interview With D.A. Powell | 11/9/2001 | See Source »

Such balance was achieved in the second movement, where dense triplet runs, exchanged around the orchestra, blanket the background with a literal whirlwind. Where the low strings were a little muddy and understated, the winds were articulate and perfectly balanced. When the runs finally arrived in the upper strings the execution was clear and precise. After a climax, which perhaps could have been heightened, a cannon in the brass section follows. Here, with staggered entrances, the strength of the brass choir was fully exploited, each voice clear and sonorous...

Author: By Christopher T. Ariza, CONTRIBUTING WRITER | Title: Colorful HRO Performs Streamlined Premiere | 11/7/1997 | See Source »

...colleagues at WHRB may suggest that these two symphonies are warhorses long overdue for the glue factory, Kleiber provides remarkably incisive and dramatic readings of both, perhaps even overshadowing his father's accounts on Decca. Although the German critical contingent criticized Kleiber's opening of the Fifth for its triplet tendencies, one can dismiss those caveats in light of the deliciously ferocious energy and forward momentum. An obsessive attention to detail is apparent, and the Vienna horns in particular have rarely sounded so resplendent. Remarkably, all of the repeats have been lovingly restored, and with great revelatory effect...

Author: By Dan Altman and Brian D. Koh, S | Title: War Horse Beaten Back to Life on DG | 10/5/1995 | See Source »

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