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WHAT COMES together after four-and-a-half hours in the dark is a tremendous sense of Gance's technical innovations. Revolting against the dictates of the time, he sets the camera free of its confining tripod, creating a frenzy that propells history itself. To film the chase across Corsica, he straps a camera to a horse's back, and keeps pace with the lead troops. Not one image is blurred or out of focus. Before the audience, the foremost rider's horse unfolds its limbs in the rhythmical ritual of a gallop. Its nostrils flair, its hind quarters fleck...

Author: By Laura K. Jereski, | Title: Liberty and Tyranny | 10/29/1981 | See Source »

...ability to tackle big scenes in Intolerance (1916). Eisenstein, in pictures like Battleship Potemkin (1925), showed how the juxtaposition of disparate images could create, through montage, meanings that were more felt than consciously understood. Gance's great contribution was to set the camera free of the tripod, making it a participant in, as well as an observer of, the action. His tracking shots were unprecedented...

Author: /time Magazine | Title: Show Business: Napoleon: An Epic out of Exile | 2/2/1981 | See Source »

...pump and sterilizing plant, an astrolabe, six suits of tropical linen and a sou'wester, a camp operating table and set of surgical instruments, a portable humidor, guaranteed to preserve cigars in condition in the Red Sea, and a Christmas hamper complete with Santa Claus costume and a tripod mistletoe stand, and a cane for whacking snakes...

Author: /time Magazine | Title: Books: Infidel in the Wilderness | 3/31/1980 | See Source »

...revival of The Most Happy Fella (first produced on Broadway in 1956) most clearly reveals the imbalance that occurs in a musical when it opts for the operatic mode. A musical rests on a tripod of book, score and dance. Opera-oriented shows almost inevitably rely on only a monopod, song...

Author: /time Magazine | Title: Theater: Monopod | 10/22/1979 | See Source »

While a recorded chicken loudly clucks to the strains of Glenn Miller's In the Mood on the public address system, the crowd watches the weigh-in conducted by Jake Blazer, 43. Each chicken is expertly thrust headfirst into a metal funnel under a scale hanging from a tripod. Only once is Blazer pecked, by an irritable banty named Mindy (Mork, next up, is more docile). A leghorn named White Flyer escapes in the transfer from box to scale and flies into heavy brush a hundred feet away. The fishnet squad is dispatched. Frets Owner Andy Cline of McArthur...

Author: /time Magazine | Title: In Ohio: A Fowl Spectacle | 7/2/1979 | See Source »

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