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Word: tripods (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Bean will emerge about 35 minutes later to join his skipper in preliminary chores. Together they will set up a large, umbrella-shaped S-band antenna (for better TV transmissions), place the TV camera on a tripod about 20 ft. from the LM, unfurl a solar wind experiment to trap high-speed particles from the sun on aluminum foil, and -in the only ceremony planned for the mission-plant a U.S. flag...

Author: /time Magazine | Title: The Moon: Toward the Ocean of Storms | 11/21/1969 | See Source »

Armstrong moved the still-operating camera to its panorama position on a tripod aimed at the lunar module. During the next two hours, the astronauts went busily about their appointed tasks, moving in and out of the camera's view. They planted a 3-ft. by 5-ft. American flag, stiffened with thin wire so that it would appear to be flying in the vacuum of the moon. Effortlessly they set up three scientific devices: 1) a solar wind experiment, consisting of a 4-ft.-long aluminum-foil strip designed to capture particles streaming in from...

Author: /time Magazine | Title: The Moon: A GIANT LEAP FOR MANKIND | 7/25/1969 | See Source »

...Some of the parts are no larger than the pupil of an eye; others are as thin as a photo negative. Westinghouse designed the camera so that the astronauts, busy with important scientific experiments, would have a minimum of fussing to do once it was set up on a tripod on the lunar surface. Aside from switching from slow to fast scanning, no adjustments are necessary other than choosing between four fixed-focus lenses-a wide angle, a telephoto, a lens for lunar daylight and a lens for lunar nighttime...

Author: /time Magazine | Title: News Coverage: Chronicling the Voyage | 7/25/1969 | See Source »

Tichauer would eliminate one leg, and spread the other two to make that most stable of all bases, the tripod...

Author: /time Magazine | Title: Environment: Building a Better Mouse Trap | 5/2/1969 | See Source »

...hour later, Nora was standing near the edge of the same bluff Tim had taken me to on the ski-doo. Her back was facing the mist-engulfed quarry. About ten yards in front of her was Tim, looking through his camera, which was on a tripod balanced on the show. Between Tim and Nora was Eric, who had leather encased tape recorder strapped over his shoulder, a headset over his ears, and a long mike in his hand. Behind Tim and leaning on the ski-doo were Phoebe and myself. We were shooting the first take...

Author: By Frank Rich, | Title: The Ghosts of New Hampshire | 4/10/1969 | See Source »

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