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Another forgotten album in much the same style is Wayne Talbert's Houston Nickel Kicks (Mercury). Before cutting this record, Talbert, who looks like a fat, freaky ex-Marine, played piano for Mother Earth and the Sir Douglas Quintet, worked with Dr. John the Night Tripper, did the arrangements for Jimmy Cotton's best album ( Cut You Loose ), made two mediocre solo albums, and wrote a song entitled "Schizophrenic Susan Minnick," all of which should entitle him to some small fame, surely. This, his latest album, was a blatant attempt to get Talbert a hit single, which attempt, unfortunately, failed...

Author: By Andy Klein, | Title: Obscure Vinyl Some Nice Records | 3/9/1971 | See Source »

...optation," came the onslaught of hard drugs. In the wake of the Government's Operation Intercept, which slowed the flow of marijuana out of Mexico, grass became expensive and hard to get. When rumors linked LSD with chromosomal damage, the counterculture also turned away from that No. 1 mind tripper. In 1969, the culture switched in large numbers to Methedrine or speed, a drug that led many to chaotic, aggressive behavior. Then last year the heroin pushers moved in, and the damage was complete. The drug deaths of Jimi Hendrix and Janis Joplin were symbolic; across the country, thousands were...

Author: /time Magazine | Title: The Cooling Of America: Out of Tune and Lost in the Counterculture | 2/22/1971 | See Source »

Fauss (Michael Pollard), a goofy mechanical genius, is the otherwise backward son of a suffocatin' maw and a sufferin' paw. Halsy (Robert Redford) is a full-time motorcycle rider, ego-tripper and ladysmith. But the steatopygous girls who follow him are, as he admits, "gland cases" and "hurting whores." Between race-track rack-ups and sexual hang-ups, the film is crowded with subject-but barren of object. It is impossible to hide what never existed; nonetheless Director Sidney Furie seems to be attempting an existential comedy. Local color is dabbed in by the numbers. Maw (Lucille Benson...

Author: /time Magazine | Title: Cinema: Color by the Number | 11/2/1970 | See Source »

Europeans have been into New Orleans jazz for 15 years, now. Perhaps, one of these days, some young Americans will put aside their Janis Joplin, or their Velvet Underground, or their Dr. John the Night Tripper--just for a moment--and will listen to a Lewis record, or a Bunk record and say, "This is genuine. These men are saying something eternal, something tragic, something joyful, something real...

Author: By Thomas A. Sancton, | Title: 'I Had to Make Music Like That, Too' | 5/21/1969 | See Source »

...deal with high level revelation, mysticism, telepathy, and transcendence of the ego. The LSD experience should not be confused with, for example, the stream-of-consciousness way of representing the way we experience the regular world. It would be confusing to call, let's say, James Joyce an acid tripper...

Author: NO WRITER ATTRIBUTED | Title: Who Are the Acid Trippers? | 4/23/1969 | See Source »

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