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Word: triptyches (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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...missed an opportunity to produce a piece that was not only creative, but also technically grounded. Other pieces suffered because they focused too much on drama rather than on precise dancing. While “Leavings” only had a few moments of excessive drama, “Triptych,” a solo performed by Lauren E. Chin ’08, truly suffered for its reliance on drama. The result was shaky poses and sloppy dancing. Yet other strong group pieces minimized the effect of these weaker aspects. “Slanting...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: Highs, Lows Mark ‘Wings’ Ballet | 5/5/2008 | See Source »

Entity is the third panel in a triptych of pieces examining the relationship between the brain and the creative processes involved in dance. In 2002, McGregor's fascination with this topic led him to set up a research project entitled Choreography and Cognition with a team of five neuroscientists; the project was backed by a fellowship at the Department of Experimental Psychology at Cambridge University. The first product of this research was AtaXia (2004), named after the disabling physical condition. Partly inspired by a real ataxia sufferer, the piece examined the frailty of the brain-body connection. By forcing breakdowns...

Author: /time Magazine | Title: Wayne McGregor: Mind in Motion | 4/2/2008 | See Source »

...Merritt that composes “Please Stop Dancing,” the desperately gleeful bender-banter on “Too Drunk to Dream,” and the hopelessly defiant crescendo of “I’ll Dream Alone” project a moving triptych of the death of the relationship, and, taken individually, make for some of the album’s finest songs.But “Distortion” has a few notable flaws. While Simms’ unassumingly beautiful voice can generally be counted on to carry listeners through the least-inspired...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: The Magnetic Fields | 2/7/2008 | See Source »

...first thing. The other is that there weren't that many [serious] films coming out, because the film business has gone a little more toward straight-out entertainment. So when I saw the script, I thought, This is smart. It's also tricky, because it's a triptych. How do you balance out three stories that seem to be disparate but are connected and have to come together in a vortex at the end? All points of view needed to be represented so we wouldn't be categorized as a lefty film. It's meant to provoke thought, not provide...

Author: /time Magazine | Title: The Lions Roar | 11/2/2007 | See Source »

...After directing a triptych of art-house films that dealt with the strain between traditional Chinese families and their modern children, Lee began working with a larger palette, jumping from genre to genre without a misstep. What other filmmaker has adapted both Jane Austen and a comic book, or followed a kung-fu film with a movie about gay cowboys? In Lust, Caution, Lee is trying out yet another, marrying an old-fashioned noir spy thriller à la Hitchcock's Notorious with a serious-minded inquiry into the nature of desire...

Author: /time Magazine | Title: Infernal Affair | 10/4/2007 | See Source »

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