Word: triptyches
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...amuse his audience. This kind of analysis, aside from its off-hand assumption that a popular musician always changes for commercial and not for evolutionary reasons, also treats with bland ignorance the musical development of Bowie's last three albums. With Brian Eno's aid. Bowie built a triptych of immense proportions, charting sonic territories for a new generation of musicians to populace. Atop this musical canvas he has now added Scary Monsters like a vision of the Last Judgment, with synthesized demons crawling from between every...
...therefore a cultural event of prime importance. There has never been a chance for anyone, in or out of the Soviet Union, to see this great subject treated in such depth. It is designed, in the words of the catalogue, as "the last panel of the triptych" of exhibitions illustrating the relationships between Paris and three modernist capitals: New York (1977), Berlin (1978) and Moscow. The sheer size of the Soviet loan-some 2,000 works in all media, from paintings to agitprop posters, from architectural drawings to teacups and chess sets-put the center's director, Pontus Hulten...
...Quincy House production succeeds best as an unresolved confrontation between a tortured man and a hostile world. Judith Swan's lighting is a simple contrast of brights and blackouts. The triptych designed by Roger Bardwell to represent the army barracks, doctor's office, and Woyzeck's home is appropriately pared down to a few wooden chairs and tables. The director's blocking is often awkward, but the physical, and frequently brutal, interactions of the characters on a practically bare stage produce powerful moments...
Sweet Piety. The three Gorkys form a triptych of commentary upon each other observed at different ages. Without being didactic, Tesich manages to touch on several things worth thinking about. He says that survival is mandatory and compromise may be its price. Only the living can change a society, never the dead. He indicates, very subtly, that perhaps Russian society can never be changed, even by revolution, since tyranny is the only tradition the Russians know, have, and trust for getting things done...
What is happening in a work like Triptych, May-June 19741 What relation does the center panel, with its interior space - a platform with one figure crawling round the rim and another sit ting in a pool of violet shadow at the back - have to the two beach scenes on either side? Whose are the two heads in old-fashioned collars that rise, like oppressive icons of paternal authority, be hind the platform? Unanswerable questions. What remains, nevertheless, is an extraordinary density and layering of sensation - the Grand Manner returned to figurative art, but scraped...