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...pace. Among the early innovators : Painter John Ferren, who produced colored prints on plaster instead of paper; Boris Margo, who developed a new, easy-to-work print surface of sheet cellophane dissolved in acetone; Adja Junkers, who blew woodcuts up to mural-sized proportions with his 14-ft.-long triptych in which the center panel alone used eight blocks and 56 colors. Sculptor Leon ard Baskin's Man of Peace, 1953 (see cut), displayed at Brooklyn's prizewinners' show, achieves monumental proportions in a larger-than-life-size woodcut done in austere black and white...

Author: /time Magazine | Title: Art: The Printmakers | 5/21/1956 | See Source »

Kokoschka himself led the applause. Struggling to describe his most ambitious new work-a triptych he calls Thermopylae-Kokoschka allowed that "it embodies all the richness of painting art, all the invention of painters, and all the knowledge of painting of the past." In the center panel of the triptych (see cut) a Greek warrior, representing Europe torn between East and West, stands hesitant. To his right, in an ascending crescent, are a traitor, a seer, and a standoffish sort of god. To his left, the battle rages, a lost one, because "battles are always lost...

Author: /time Magazine | Title: Art: O.K.'s O.K. | 8/29/1955 | See Source »

...confidence with which Cooke has worked out this canvas and the triptych Tower of Babel, which is undoubtedly the show's tour de force, contrasts markedly with a certain indecisive quality which harms some of his earlier pictures. This weakness is most evident in an apparent overworking of certain parts of some other portraits--especially in the region of the eyes. The result is an effect of dull lifelessness, which, although effective in the Portrait of Helene Swindells, is generally disturbing...

Author: By John A. Pope, | Title: Barrie Cooke | 1/18/1954 | See Source »

...solved the star problem by coaxing ageless Ballerina Alicia Markova (born Alice Marks) back into the fold to be guest star. It also commissioned Broadway-famed Choreographer Agnes de Mille to do a new number, Harvest According, and got its own ballet master, Edward Caton, to whip up another, Triptych. It was again scheduling an "American Composers Night," when Leonard Bernstein, Aaron Copland, Morton Gould and Virgil Thomson would conduct their own ballets...

Author: /time Magazine | Title: Music: Comeback in Manhattan | 10/13/1952 | See Source »

...Adamite Family. Fränger has devoted his book, the first volume of a series, to an explanation of the famous triptych which Bosch called The Millennium, more often known as The Garden of Early Delights. Its three panels represent, respectively, Adam and Eve in the Garden of Eden, a panorama of naked and untrammeled figures disporting themselves in the world outside, and a scene of dark punishment in Hell. Most critics hold this to be a logical sequence of Creation, worldly pleasure and eternal punishment. Fränger disagrees. He believes that Bosch's naked figures represent...

Author: /time Magazine | Title: Religion: Bosch & the Flesh | 7/28/1952 | See Source »

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