Word: tristan
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Dates: during 1980-1989
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...patrons in dinner jackets and evening gowns, eliciting some sidelong glances but not much else. Throughout a performance of Lohengrin, two women in the audience held hands and caressed one another while onstage the pure knight sang of his love for the chaste Elsa. At the climax of Tristan und Isolde, one bejeweled lady was so overcome by the intoxicating music that she pitched backward into the laps of the unflappable listeners behind her. Richard Wagner, who caused all the excitement, rested peacefully in his grave behind his villa Wahnfried, buried, in the phrase of one astonished British tourist...
...anti-Semite enshrined by the Nazis. Continued Mehta: "I understand the emotions of those who have gone through concentration camps. Anyone who does not want to hear can leave the hall." Two orchestra members and a number from the audience did so. As Mehta launched into the prelude to Tristan und Isolde and the Liebestod, dissident shouting and scuffling broke out. "Hitler go home!" shouted one anti-Wagnerian. Said Mehta: "We have spoken about this a great deal and we waited for a suitable atmosphere...
...text (based on Nikolai Leskov's 1865 story). It was essentially the same work that had fallen afoul of Pravda, but noticeably missing were the trombone slides, the most literal music depiction of sexual intercourse since the famous interrupted climax in Act II of Wagner's Tristan und Isolde and the lusty horn whoops in the prelude to Der Rosenkavalier...
...scheduled season by labor disputes, which were finally settled three weeks ago. Looking over his plans, Music Director James Levine concluded that "the losses for the future seem remarkably small." The house reopens next Wednesday, and the Met will begin performing such works as Alban Berg's Lulu, Tristan und Isolde and-holiday-minded families will be happy to hear-Hansel and Gretel. Two of the four new productions originally announced for this season-Queen of Spades and Così Fan Tutte-have been postponed; La Traviata and Parade, a trio of one-acters by Satie, Ravel and Poulenc...
...that was conventional, against blind acceptance of tradition, against the uncritical absorption of stale and outdated ideas that inhibited free thought. The art historian Herschel Chipp describes Dada as a movement of negation. Indeed, the debilitating effect of Dada's nihilism struck many of its practitioners. In 1924 Tristan Tzara, founder of the movement, wrote: "Another characteristic of Dada is the continuous breaking off of our friends....Everybody knows that Dada is nothing. I broke away from Dada and from myself as soon as I understood the implications of nothing." In 1920 Richard Huelsenbeck pinpointed the non-directional nature...