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...scheduled season by labor disputes, which were finally settled three weeks ago. Looking over his plans, Music Director James Levine concluded that "the losses for the future seem remarkably small." The house reopens next Wednesday, and the Met will begin performing such works as Alban Berg's Lulu, Tristan und Isolde and-holiday-minded families will be happy to hear-Hansel and Gretel. Two of the four new productions originally announced for this season-Queen of Spades and Così Fan Tutte-have been postponed; La Traviata and Parade, a trio of one-acters by Satie, Ravel and Poulenc...

Author: /time Magazine | Title: Music: A Resurrection | 12/8/1980 | See Source »

...that was conventional, against blind acceptance of tradition, against the uncritical absorption of stale and outdated ideas that inhibited free thought. The art historian Herschel Chipp describes Dada as a movement of negation. Indeed, the debilitating effect of Dada's nihilism struck many of its practitioners. In 1924 Tristan Tzara, founder of the movement, wrote: "Another characteristic of Dada is the continuous breaking off of our friends....Everybody knows that Dada is nothing. I broke away from Dada and from myself as soon as I understood the implications of nothing." In 1920 Richard Huelsenbeck pinpointed the non-directional nature...

Author: By Lois E. Nesbitt, | Title: Dadadadadadadadadadadadadada | 12/8/1980 | See Source »

...Tristan Jones New York City...

Author: /time Magazine | Title: Letters, Mar. 5, 1979 | 3/5/1979 | See Source »

...Hammond (David Kernan), and Lady Marjorie and the visitor learn, over the inevitable tea in the morning room, that they share a love of opera. Richard Bellamy (David Langton), always preoccupied with the House of Commons, gratefully asks their guest to take his place and escort his wife to Tristan und Isolde at Covent Garden. Naturally they fall in love over a Liebestrank, and soon the magnificent Lady Marjorie (Rachel Gurney) is cavorting in Hammond's bed, away from home, husband and servants...

Author: /time Magazine | Title: Television: Return to Eaton Place | 1/15/1979 | See Source »

...some critics say Wagner's early sketches of the character Siegfried were based on Mikhail Bakunin, the mid-nineteenth century anarchist. But in the decade between the composition of acts II and III of Siegfried, the third opera in the cycle--during which Wagner wrote Die Meistersinger and Tristan und Isolde--he latched on to Schopenhauer's eastern mystic fatalism, and suddenly the philosophy of the Ring cycle took a sharp turn to the right...

Author: By Scott A. Rosenberg, | Title: Vaguely Wagner | 1/11/1979 | See Source »

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