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...Buckley was not exactly blown across the ocean on a naked raft. Even the most venturesome solitary sailors today - men like Sir Francis Chichester, who circumnavigated the globe in 1966-67 in his 53-ft. boat Gipsy Moth IV - have the advantage of sophisticated hull and sail design. Says Tristan Jones, a small, bearded Welsh sailor who has circumnavigated the globe three times, crossed the Atlantic 18 times under sail, nine times alone: "The boats I sail wouldn't have existed before now. They are fitted with the best technology of our time, from stainless steel to freeze-dried...

Author: /time Magazine | Title: Time Essay: Lindbergh: The Heroic Curiosity | 5/23/1977 | See Source »

...choice of pieces to play "in my hands." She starts her boss off gently in the morning with Bach and Schumann, working up in intensity as the day progresses to Beethoven, Rachmaninoff and Tchaikovsky. At night Carter is his own deejay. Among his recent choices: Wagner's Tristan und Isolde, Grieg's Piano Concerto in A Minor and Franck's Symphony in D Minor...

Author: /time Magazine | Title: The Nation: Jimmy's Music to Govern By | 3/28/1977 | See Source »

...first act involves Carr, Gwendolyn (Katharine McGrath), Carr's sister and a Joyce patron, Joyce himself (played by James Booth), and Tristan Tzara, the Dadaist artist. While on orders from London to keep an eye on the Bolshevist Lenin, Carr finances Joyce's theater troupe in a performance of Ernest, for which Joyce promises him the lead role. After the opening library scene, the lights dim and the spotlights come out on Carr, an old man in a housecoat who sets the scene and reminisces about the old days in Zurich. The play, but especially this scene, showcases the talents...

Author: By Joseph Dalton, | Title: Pulling Out All the Stops | 3/3/1977 | See Source »

...strength of the play is in the first act. Carr's friend, the Dadaist Tristan Tzara drops by for tea. Carr gets an explanation of anti-art, says Dada in Zurich is the high point of European culture-topographically speaking-and proclaims, "My art belongs to Dada!" But the best scene is a confrontation between Joyce and Tzara, who is hard at work cutting up volumes of poetry, putting the scraps in his hat, and drawing them out randomly to create anti-poetry. Joyce has come to borrow money for his English Players, but stays to argue with Tzara...

Author: By Joseph Dalton, | Title: Pulling Out All the Stops | 3/3/1977 | See Source »

While at Harvard and in Cambridge, productions are using adaptations of other forms of art, in Boston, Travesties is stealing from life itself. Not literature or film but history is re-written when Lenin, Tristan Tzara, the Dadist and James Joyce meet in a library in Zurich. Their fictive joint story is told by a character who himself re-writes the story as he goes along. Tom Stoppard's scintillating play, studded with allusions to the radicals' works, which never did as well in New York as it deserved, is playing at the Colonial Theatre, 106 Boylston Street, beginning...

Author: By Shirley Chriane, | Title: STAGE | 2/9/1977 | See Source »

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