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...veterans of leading German and Austrian opera houses. Some (Lawrence Tibbett, Julius Huehn) were U. S. singers. Many (Kerstin Thorborg, Karin Branzell, Gertrud Wettergren) were, like Tenor Melchior, Scandinavians. Sturdiest of all these sturdy troupers has been gargantuan, jovial Tenor Melchior, for 14 years the Met's leading Tristan, Siegmund, Siegfried, Lohengrin, Parsifal, Tannhäuser...

Author: /time Magazine | Title: Music: Great Dane | 1/22/1940 | See Source »

Melchior and Flagstad, as Tristan and Isolde, are a team whose memory will still be green when the present generation of operagoers is old and grey. Tristan and Isolde are opera's greatest lovers, and to thousands of U. S. listeners Melchior and Flagstad are their incarnation. Though that incarnation is only limelight-deep (in private life Melchior and Flagstad are never more than polite, between eruptions of professional jealousy), operagoers are treasuring it while it lasts. For last month Diva Flagstad announced that she would retire at the end of this season. Soon this mortal pair of immortals...

Author: /time Magazine | Title: Music: Great Dane | 1/22/1940 | See Source »

...many years stocky, shock-headed Metropolitan Tenor Giovanni Martinelli nursed a secret ambition to sing Tristan, most glamorous, most gut-busting of German opera roles. But in the days when Martinelli's voice was at its sweetest, Metropolitan directors always chose a throatier Teuton for the job. Last week at the Chicago Opera, 54-year-old Veteran Martinelli finally got his chance. Playing opposite buxom Kirsten Flagstad's bosom, his white hair covered with a blond wig, Tenor Martinelli sang his part without a misplaced guttural. But between towering Soprano Flagstad and the booming orchestra led by Flagstad...

Author: /time Magazine | Title: Music: Sad Tristan | 12/4/1939 | See Source »

...without indulging the non-Aryan composers, playwrights and directors who were to a large degree responsible for them. Music was comparatively easy, for Germany's favorite composer is romantic, loud, Aryan Richard Wagner. Every year at Bayreuth the Führer turns up and sits raptly listening to Tristan und Isolde. But Germany's favorite dramatist is an Elizabethan Englishman: William Shakespeare. And Shakespeare's foremost German producer before Adolf Hitler was a Jewish director, Max Reinhardt, whose summer theatre at Salzburg once ranked with Bayreuth as an international attraction for tourists...

Author: /time Magazine | Title: Theatre: Stratford-on-Rhine | 8/14/1939 | See Source »

...completion of his 25th season last year (TIME, March 28, 1938). Last week, as Martinelli vacationed in Italy, the Metropolitan announced that it had signed him on for the 2jth year-a record for a big-league tenor. Chief Martinelli project for next season: his first Wagnerian role, Tristan, with the Chicago City Opera Company...

Author: /time Magazine | Title: Music: Record | 7/3/1939 | See Source »

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