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...best, to hear the Metropolitan Opera Company sing in their city for the first time in five years. For Le Coq d'Or and Cavalleria Rusticana on the opening night, the turnout was 9,425, biggest house the Metropolitan has ever had.* At next night's Tristan the house was almost as full. Ticket sales for the week's engagement beat all records, added a final gracenote to the Metropolitan's most successful season in years...

Author: /time Magazine | Title: Music: Met in Cleveland | 4/26/1937 | See Source »

...those who need them. Far beyond Philadelphia Mrs. Bok is known as the woman who paid for Stokowski's famed productions there of Wozzeck and Oedipus Rex in 1931, his H. P. the next year. In 1934 she wrote the checks for Fritz Reiner's beautiful, expensive Tristan, his Rosenkavalier that critics called the best U. S. opera of the season. Last week operagoers from all over the East headed again for Philadelphia's Academy of Music to hear sung in English two one-act premieres* that had cost...

Author: /time Magazine | Title: Music: Bok Party | 4/12/1937 | See Source »

...Tristan und Isolde" is this evening's opera and should prove as fine here as it has in New York during the past winter...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 4/1/1937 | See Source »

Kirsten Flagstad, who has justly proved such a sensation, will sing the role of Isolde--a part no less grueling than that of Brunhilde in the Ring which she is also to sing here in Boston. The role of Tristan is to be taken by the well known Wagnerian tenor, Lauritz Melchior. This part is without doubt one of the most thankless in all grand opera from the acting standpoint, for during the entire last act, Mr. Melchior is forced to toss feverishly on a couch in death agonies while at the same time singing a long and rather dull...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 4/1/1937 | See Source »

...fled Dresden after getting mixed up in revolutionary politics. In 1858 the musician and his wife Minna (Evelyn Varden) are under the patronage of Otto Wesendonck (Leo G. Carroll) at Zurich. With Tannhauser, Lohengrin, Das Rheingold and Die Walküre behind him, Wagner has finished the libretto of Tristan und Isolde, is working on the music, under the inspiration of Mathilda Wesendonck (Eva Le Gallienne), with the Schnorrs (Arthur Gerry and Beal Hober) singing his scores and Cosima Liszt von Bulow (Miriam Battista) fluttering about in round-eyed adulation. Minna - jealous, nagging, nerve-fraying epitome of an artist...

Author: /time Magazine | Title: Theatre: New Play in Manhattan: Dec. 14, 1936 | 12/14/1936 | See Source »

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