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Usage:

...early in its first act to insert a choric ode? It is likewise complained that the external action of Wagner's Tristan und Isolde all but stops in the second act, and does stop in the third. Yet if one understands what is going on in Wagner's orchestra, Tristanfrom beginning to end is a blaze of emotional excitement; and if one understands what is going on in the orchestra ("dancing-place" of the Chorus) in the Agamemnon, the blaze of intellectual excitement is almost unbearable... As if Beethoven, a poet of comparable dimensions, had written three, or four, expository...

Author: By Lucion Price, | Title: From 'Agamemnon' To 'Faust' | 3/2/1963 | See Source »

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