Word: tristans
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...other. Gropingly, they each raised a hand, managed to clasp them. On that grotesquely romantic note, the curtain fell last week on one of five works new to the American Ballet Theatre in its fall season at Manhattan's Metropolitan Opera House. The ballet: Herbert Ross's Tristan...
...years ago Cleveland-born Grace Hoffman, now 34. was working as a cashier and bar checker at a watering hole on Broadway hard by the Metropolitan Opera House. Last week she turned up at the place across the street, this time as Brangäne in Wagner's Tristan und Isolde. To cover the 100-odd yards, she had to travel to the musical capitals of Europe and back again...
...private person." But her voice is more public than ever-on records. After it became known in 1954 that (with her consent) His Master's Voice sound engineers had called on Soprano Elisabeth Schwarzkopf to dub in two high Cs that Flagstad was unable to hit in Tristan und Isolde, Flagstad could not be lured before a microphone for nearly two years. But since then she has signed up with London Records, made 23 LPs, including a complete Götter-dämmerung, lieder by Richard Strauss, Schubert, Schumann, Hugo Wolf. The latest : an excellent third...
...just after the Anschluss, the Schells moved to Switzerland and rented the Zurich villa where Richard Wagner had worked on Tristan und Isolde. Maria was packed off to a convent school at Colmar in Alsace. At 15, she begged her father to let her study dramatics, but papa was an unsuccessful playwright as well as a practical Swiss, and he laid down the law: business school. Maria took a typing course and a job wrapping books in a mail-order house. Salary: about $11.50 a month. It was grim, but it did not last long...
Flaws & Cheers. If the production itself was undistinguished (marked, said Wolfgang Wagner, by "objective sobriety"), the first yearning sighs of the orchestral prelude left little doubt that this Tristan was in expert hands. Dressed in tuxedo trousers and open-throated shirt, Conductor Sawallisch led his orchestra through a performance marked by a water-clear sense of orchestral relationships and rock-sure control. He attacked at a slower than usual tempo, underscored the sensuous quality of the music without letting his orchestra wallow in it. There were the usual first-night flaws. During the second-act love duet, the word...