Word: tristans
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When Salvador Dali's ballet, Mad Tristan, opened in Manhattan in 1944, it provided one critic with "a 25-minute yawn." Most other balletgoers yawned, too, if not so long-windedly, and Mad Tristan flopped. Last week, the Grand Ballet de Monte Carlo had given it five performances in London. This time the madness proved catching...
...critics liked it; one thought Mad Tristan "beautifully presented." But the Times spoke for the majority: "Regurgitation is a hygienic, not an artistic, process. Salvador Dali, turning aside from surrealistic painting to drama, has swallowed Wagner's Tristan and Isolde and spewed it up with much of the murky contents of his unconscious adhering to the gobbets...
Metropolitan Opera (Sat. 2 p.m., ABC). Tristan und Isolde, with Helen Traubel and Lauritz Melchior...
...film, "The Eternal Return," the French writer Jean Cocteau explains that the title is borrowed from Nietzsche, and that it means great legends of the past may re-occur without their participants being aware of it. with this interesting idea in mind, M. Cocteau has chosen to present the Tristan-Iseult legend in contemporary settings and in something of the same grand-manner that was to be so successful in his later film "Beauty and the Beast." But, unlike its successor, "The Eternal Return" asks the audience to accept its fairy tale as readily as if it were in today...
...role of Patrice (Tristan), Cocteau has placed his favorite actor, Jean Marais. Though probably not a very good actor, he serves Cocteau's requirements well enough: he is beautiful, dashing and ethereal. Nathalie (Iseult), is played by a new actress, Madeleine Sologne. The role calls for her to be a little fey, but Mlle. Sologne behaves as if she hadn't read her Master's foreward. She seems, from the beginning, to be "aware" that she is Iseult. She is also too heavily made up for so pretty a young lady and actually is more attractive when the lipstick...