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...long swells of the South Atlantic break angrily against lonely Tristan da Cunha. In the volcanic rock of this island group, halfway between Cape Town and Montevideo, they have scoured deep, dark caverns...

Author: /time Magazine | Title: TRISTAN DA CUNHA: Lily Maiden | 12/27/1943 | See Source »

...missed. Only new singer to raise a ripple of anticipation was the 18-year-old coloratura Patrice Munsel (TIME, Nov. 22), scheduled for a debut in Mignon. The Met's brightest stars this year, as last, were its conductors. The first week included an exquisitely polished Tristan (Sir Thomas Beecham), a brilliant Rosenkavalier (George Szell...

Author: /time Magazine | Title: Music: The Nose and the Thumb | 12/6/1943 | See Source »

This was no invalid's gesture-it was one of the finest performances of Tristan und Isolde in recent years. The conductor was Sir Thomas Beecham, and the cast a group of top-flight singers, some from Manhattan's Metropolitan. Isolde spent her first act reclining on a shipboard divan, with the necessary business carried out by her maid Brangäne. The second-act love scene had perhaps the fittest staging in history: Tristan and Isolde sang on a couch. In the last act, Isolde was carried on stage by Tristan's old retainer Kurwenal...

Author: /time Magazine | Title: Music: Opera Made Easier | 6/7/1943 | See Source »

...Perelman's life reads like a picaresque novel. It began on a bleak shelf of rock in mid-Atlantic near Tristan da Cunha. Transplanted to Rhode Island by a passing Portuguese, he became a man of proverbial strength around the Providence wharves; he could drive a spike through an oak plank with his fist. As there was constant need for this type of skilled labor, he soon acquired enough tuition to enter Brown University. He is chiefly remembered there for translating the epigrams of Martial into colloquial Amharic and designing Brooks Bros.' present trademark, a sheep suspended...

Author: /time Magazine | Title: Books: It Is Written | 2/1/1943 | See Source »

...over, Pinza spent a brief spell as brakeman on a railroad, then got a chance to sing King Mark in Tristan und Isolde at the Teatro Reale dell' Opera in Rome. Soon his reputation was made. Arturo Toscanini gave him a contract at Milan's famed La Scala opera house. There the late impresario Giulio Gatti-Casazza signed him for the Metropolitan. Last year, despite the fact that Basso Pinza had his first citizenship papers, the FBI got irritated at some patriotic Italian speeches he had made, interned him, but released him eleven weeks later...

Author: /time Magazine | Title: Music: Basso Cantante | 1/25/1943 | See Source »

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