Word: tritely
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Dates: during 1990-1999
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...sporting a tiresomely defiant grin throughout the whole movie, brings little life to the character of Blair. He is teamed up with an equally shallow Matthew Lillard as best friend Maniac, a hotshot wild man and sidekick who does little to advance the plot. In fact, because of a trite dialogue, there is relatively little character development from the entire cast. Aside from Blair, the other characters may just as just as well have cameo roles, as they do little to influence the course of the movie...
...teenage mother, desperate for a handhold in the long climb through a childhood in the ghetto names her child Imani or "Faith." Though the simple significance of the appellation may initially seem shallow and even trite, it's this almost innocent, simple connection that gives Imani All Mine its poignancy. The account of child mothering child becomes a story of epic determination which grabs readers and takes them on a ride through a world about which they know little, if anything...
...portrait displayed. Reclining on a pillow whose filigreed embroideries of butterflies merge with the platinum waves of her hair, Bouban's marmoreal face achieves the vacuity of expression associated with mannequins or dolls. Her smooth skin seems carved out of soap. But Wols's depiction is more than a trite objectification of a woman's face. Though she is reclining, this is not an image of repose. He effects the same response as that engendered in his self-portraits: the image is impossible to penetrate. Aside from the details of her features, one cannot learn anything about her; her expression...
...portrait displayed. Reclining on a pillow whose filigreed embroideries of butterflies merge with the platinum waves of her hair, Bouban's marmoreal face achieves the vacuity of expression associated with mannequins or dolls. Her smooth skin seems carved out of soap. But Wols's depiction is more than a trite objectification of a woman's face. Though she is reclining, this is not an image of repose. He effects the same response as that engendered in his self-portraits: the image is impossible to penetrate. Aside from the details of her features, one cannot learn anything about her; her expression...
...portrait displayed. Reclining on a pillow whose filigreed embroideries of butterflies merge with the platinum waves of her hair, Bouban's marmoreal face achieves the vacuity of expression associated with mannequins or dolls. Her smooth skin seems carved out of soap. But Wols's depiction is more than a trite objectification of a woman's face. Though she is reclining, this is not an image of repose. He effects the same response as that engendered in his self-portraits: the image is impossible to penetrate. Aside from the details of her features, one cannot learn anything about her; her expression...