Word: triumph
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Dates: during 1950-1959
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While the West stammered. Nasser rode in triumph from Alexandria to Cairo, getting a hero's welcome at every stop. This was his big moment: bigger than his seizure of power, his expulsion of Farouk, his kicking out the British. Brother Arab nations cheered him too. Nasser has done it again, they said. Arab politicians are apt to consider a well-delivered jab at the West a more statesmanlike act than running one's economy properly...
...both a loathsome creature and a dilettante of debonair charm. He did not falter. The quiet, brooding force of Robert Evans acted as a good foil for Mephistopheles, and Evans handled his long monologue in the first act with superb skill. Margaret, as played by Frances Sternhagen, was a triumph of sincerity. The difficulty of the Mephistopheles role is that the devil has a thousand faces, all of which he plays to the hilt. In a way Margaret's part is even more challenging, for she must show a great development of character. To say that she convinces is praise...
...novels of others, and probably did not think of himself as a novelist. But he knew all the tricks of the trade, and in his hands the historical was surefire. His plots are as tight and well woven as good wicker. The costumes fit, love and virtue always triumph, and the swordplay is the most expert, the flashiest since The Three Musketeers...
...they are apparently not willing to leave it at that. Last week in Rome, Italy's Foreign Minister Gaetano Martino, waiting to greet a distinguished German visitor, Konrad Adenauer, told of a triumph of toastmanship achieved by the hardheaded, steel-stomached old man on his visit to Moscow last September. Unaware of der Alte's heroic capacity for hard liquor, Communist Party Chief Khrushchev had proposed one toast after another at a state banquet, watching eagerly as the German Chancellor drained glass after glass of vodka. At the end of some 15 toasts, Adenauer was still going strong...
Henry V, the main Shakespeare work on this year's program, afforded an opportunity to experiment. Canadian-born Actor Christopher Plummer, who had a Broadway triumph as the Earl of Warwick in The Lark (TIME, Nov. 28, 1955), was cast in the title role. Opposite him, as the French King Charles VI, Langham put Gratien Gélinas, the ranking clown of French-Canadian musical revues. Members of Montreal's theatrical corps, schooled in the French acting tradition, were brought to Stratford to people the French scenes. The play was a solid hit, with Shakespeare's French...