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...anti-Communist from Chevy Chase, Md., appeared as an unsolicited committee witness, declared that Fortas was once a member of the left-wing International Juridical Association, that "he has been significantly connected with Communists and Communist fronts over a considerable period of time," and that "his connections were neither trivial nor casual-and I doubt if they were innocent." Fortas replied that he may have joined the group while he was on the Yale faculty in the 1930s because "joining was easy in those days." But "to the best of my knowledge and belief, I never attended a meeting...

Author: /time Magazine | Title: Teh Supreme Court: Questions & Answers | 8/13/1965 | See Source »

Jumping on the Hemingway bandwagon, Caedmon Records has just released a record of Hemingway reciting the speech he wrote upon receiving the Nobel Prize, one of the love poems, and a few trivial pieces of self-parody-all in a reedy, nervous voice. But while there are "enough of Papa's poems to fill a book one-half inch thick," according to Mary Hemingway, the rest are unlikely to be published or recorded for many years. "Some of the longest poems are about living people," she says, "and most of them are uncomplimentary, to say the least...

Author: /time Magazine | Title: Magazines: Papa's Poems | 7/30/1965 | See Source »

...conventionally trivial becomes terribly important in the bizarre world of Pussycat. The music, which comes alternately from harpsichords and electric organs, at times keeps rythym with the action so that the actors or cars almost seem to dance. Strange things occur in the background, such as the appearance of a group of Impressionist painters sitting with a bandaged-eared Van Gogh at a cafe. At one point the reformed hero delivers a paean to marriage and the words "Author's Message" in roccoco script shoot across the screen...

Author: By Daniel J. Singal, | Title: What's New, Pussycat? | 7/22/1965 | See Source »

Tennessee Williams (just to start with somebody good) has endorsed, as in a television commercial, the talent of his friend Bill Inge and assured us that a play produced by Inge-art will carry us through the trivial details of everyman's day into that playpen of pain and love, the human heart, and that it will do this miraculously, suddenly droppings us at the doorstep of inner truth just when we thought that the real problem was Mama's bank account and not Mama's need for love. And there was a time (Come Back Little Sheba, Picnic...

Author: By John Williams, | Title: Family Things, Etc | 7/15/1965 | See Source »

...aspects--at the expense of just about everything else. Gus, played by K. Lype O'Dell, is a perfect buffoon throughout the play. Ben(David Meneghel) is more the prototype of the cool, calm professional killer, but he eventually is caught up in volatile arguments with Gus about absolutely trivial subjects. If The Dumb Waiter were only a funny play, if Pinter were capable of nothing more than writing funny dialogue, one could scarcely have found fault with O'dell's or Meneghel's performances, or with Chapman's direction...

Author: By R. ANDREW Beyer, | Title: The Dumb Waiter | 7/15/1965 | See Source »

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