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...chum, and the only regret about his part is that it is too short. William Leach brings a kind of manic power and an eloquent voice to Judge Gaunt, and Donald James Campbell renders an eerie, effective portrait of Shadow, the underworld sidekick. Unfortunately, his boss, John Britt as Trock, just about chews the scenery in his overcooked attempt to play the heavy. At times, Britt sounds as if he were imitating John Wayne-not a good thing to do in a serious play...

Author: By Andrew Multer, | Title: A Period Piece | 7/21/1978 | See Source »

Starched Tutus. Dance's new girl, it seems, is a guy-Antony Bassae. Along with the nine other "ballerinos" of Les Ballets Trockadero de Monte Carlo, Bassae performs in satin toe shoes and starched tutus. The Trock less than two years ago started in Manhattan Soho lofts and neighborhood shoebox theaters. This week it makes a leap into respectability with a four-night stand at the Brooklyn Academy of Music. In addition to aiming choreographic broadsides at such sacred swans as George Balanchine ("Go for Barocco") and Martha Graham ("Phaedra/Monotonous"), the Trock delivers a few pointed comments on Tchaikovsky...

Author: /time Magazine | Title: Dance: Faux Pas | 3/1/1976 | See Source »

...joke would wear thin ^ very quickly if the humor were not based on a sound knowledge of classical ballet. Working with a cartoonist's bold strokes, the Trock choreographers can come uncannily close to the original steps of the ballets they spoof. Peter Anastos, 28, (whose stage name is Olga Tchi-kaboumskaya) slyly transforms New York City Ballet's daisy chain into a spaghetti of arms and legs in his parody of Balanchine's Concerto Barocco. "Everyone who has seen Balanchine recognizes his chain of dancers weaving in and out and around each other," says Anastos...

Author: /time Magazine | Title: Dance: Faux Pas | 3/1/1976 | See Source »

...Trock impressed the New Yorker's Arlene Croce, perhaps the sternest dance critic of all. Reviewing Bassae/Karpova's performance in the Don Quixote, Croce wrote: "Karpova, I believe, gave a better performance than the Bolshoi's Nina Sorokina. There was more wit, more plasticity, more elegance and even more femininity in Karpova's balances and kneeling backbends than in all of Sorokina's tricks." The Track's recent winter season drew such eminent visitors as Jerome Robbins and Mikhail Baryshnikov. Sighed Bassae: "After 20 years of dancing I finally made it when...

Author: /time Magazine | Title: Dance: Faux Pas | 3/1/1976 | See Source »

Principals of the cast include Ted Allegretti '47, as Mio, Miss Kay Cassel, Radcliffe '47, as Miriamne, and Andrew McColloagh '47 in the role of Trock...

Author: NO WRITER ATTRIBUTED | Title: HDC Names Cast for May 2 Opening of Anderson Tragedy | 3/19/1946 | See Source »

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