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Word: troisi (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Angleo M. Troisi, founder of Troy Associates and Senior Vice President of Lee Hecht Harrison, spoke about his career and experiences in human resources management last night...

Author: By Nancy M. Poon, CONTRIBUTING REPORTER | Title: Human Resources Expert Speaks to Club | 10/2/1997 | See Source »

...rival, Braveheart's Steven Rosenblum: "Groups like the Academy often don't recognize how well edited these quiet pictures are." Seven's Richard Francis-Bruce adds that the contemplative Il Postino deserved a mention for its deft matching of shots, within the same scene, of the ailing Massimo Troisi and his body double who appears in about half of the film. "If they had known, maybe they would have voted...

Author: /time Magazine | Title: CINEMA: THE KINDEST CUTS | 3/25/1996 | See Source »

...Leaving Las Vegas." And he would be my choice as well. Richard Dreyfuss? Big deal, so he ages 30 years in two hours in "Mr. Holland's Opus." Anthony Hopkins? Good, but not good enough; and he just won not long ago for "Silence of the Lambs." Massimo Troisi? He was good but a little annoying, and everyone knows that he was nominated solely because he died the day after filming for "The Postman" concluded. The last time an actor received a posthumous nomination was when Peter Finch won for "Network" in 1976. Sean Penn received excellent reviews...

Author: By Nicole Columbus, | Title: Oscar Preview: "You Like Me! You Really Like Me!" | 3/21/1996 | See Source »

...company didn't use burger-chain tie-ins or Massimo Troisi dolls to merchandise the picture, but it did sell 30,000 copies of the 1985 Antonio Skarmeta novel on which the film is based, and another 25,000 books of Neruda poetry. A CD of stars like Sting, Madonna and Wesley Snipes reading Neruda was later sent to Academy members with a videocassette of the film, as was a note telling them that Il Postino was ineligible for the foreign-language Oscar because the Italians had not offered it for nomination. If Academy voters wanted to honor the film...

Author: /time Magazine | Title: CINEMA: A SPECIAL DELIVERY | 2/26/1996 | See Source »

Neruda (Philippe Noiret), the communist poet in political exile on an Italian isle, introduces the postman (Troisi) to the verbal rapture of metaphors; aids him in winning over the sultry, feral Beatrice (Maria Grazia Cucinotta); then abandons Mario to return home. But the film's true poetry is in Troisi's face--gaunt and ethereal, like that of a Jesus in a Neapolitan pageant. The audience needs no subtitles to read the feelings in this man's brave, troubled heart...

Author: /time Magazine | Title: CINEMA: A SPECIAL DELIVERY | 2/26/1996 | See Source »

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