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...might have guessed, very little was to become of it. The Trojans called for 20 principal singers, two choruses, ten different sets, hunters on horseback, ships moving out of a harbor, naiads swimming in "a natural basin," a stream that becomes "a roaring waterfall" ­and, of course, a large wooden horse. With the creaky stage equipment of the 19th century, the giant work­rivaling Wagner's marathons in size­could not be performed in much less than seven hours. Berlioz himself heard it only in truncated form, and since his death it has never been given...

Author: /time Magazine | Title: Music: Troy Rediscovered | 6/17/1957 | See Source »

Somehow, out of all this vast confusion (amplified by the presence of five pony-sized Irish wolfhounds, cast as hunting dogs) emerged as powerful and moving a performance as British operagoers have seen in many years. Berlioz was anxious in The Trojans to restore pure song to first place in opera, and he succeeded magnificently. The work is studded with lovely arias bathed in richly hued orchestration. The musical theme that runs through the opera is the broad pomp-and-circumstantial Trojan March, first heard with ironic overtones as the Trojans, tired of Cassandra's doom-singing, drag...

Author: /time Magazine | Title: Music: Troy Rediscovered | 6/17/1957 | See Source »

...Pals. Two of the Reds' most ambitious attempts at undermining the church were the Patriot Priests and Pax, both of them originated by Ivan Serov, head of the NKVD in Poland during the Stalin period. Serov set up two Trojan horses to take over the church, one loaded with docile ("patriot") priests, one with laymen...

Author: /time Magazine | Title: Religion: Cardinal & the Commissar | 5/20/1957 | See Source »

President Trojan Boat Co. Lancaster...

Author: /time Magazine | Title: Letters, may 6, 1957 | 5/6/1957 | See Source »

...Lowell House Musical Society appears to be doing its part in the current religious revival at Harvard by undertaking a program aimed at the restoration of paganism. After staging an Americanized version of the Trojan War last year, the Society has now turned to Jacques Offenbach's irreverent 19th century reworking of the Orpheus myth. While the moral effect of such an undertaking might be questionable, its entertainment value in the current installment is fairly high. Orpheus in Hades is very nearly an excellent show...

Author: By Thomas K. Schwabacher, | Title: Orpheus in Hades | 4/26/1957 | See Source »

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