Search Details

Word: trollopes (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...jade and how she grew. In quasi-documentary style, British Director John Schlesinger (Billy Liar) begins with a standard narrative device: a celebrated beauty spilling "My Story" to a magazine called Ideal Woman. Her name is Diana (Julie Christie), a sometime model, sometime bit actress, anytime trollop, whose face is her passport to the haut rnonde, where a legion of intimates come to know her as "Darling...

Author: /time Magazine | Title: Cinema: Playgirl's Progress | 8/13/1965 | See Source »

...Trollop!" exclaimed Peter...

Author: /time Magazine | Title: People: Jul. 16, 1965 | 7/16/1965 | See Source »

...Virna Lisi adorns a wrong number entitled The Telephone Call by Director Dino Risi (The Easy Life). Swathed in slippery folderol, Virna lets her eager husband sweat while she warms up the wire with Mamma, discussing status, family problems, and the bikini-clad trollop who inhabits a terrace apartment across the way. Virna is still jabbering as her mate steals over to find out for himself whether a girl can really be as wicked as all that...

Author: /time Magazine | Title: Cinema: Four for Foolery | 7/9/1965 | See Source »

Cassidy's prize in one melee is a trollop named Daisy Battles, played by tawny, toothsome Julie Christie, who has a decorative role and makes the most of it. But the girl who steals out of O'Casey's pages into Cassidy's heart -and gives the whole film a persistent, throbbing pulsebeat-is Nora (Maggie Smith), the shy, strong-minded colleen who finally takes leave of him because "I need a small, simple life-without your terrible dreams and your terrible anger." Actress Smith makes even reticence seem a powerful emotion...

Author: /time Magazine | Title: Cinema: Pugnacious Playwright | 4/2/1965 | See Source »

...this somewhat incongruous vaudeville element (wholly serived. I deem, from American productions of Die Dreigroschenoper): marquee lights glitter from the proscenium, news of each scene is projected on a screen from slides (a Ia Chaplin), and poor old Maggie Ziskind, cast as the Widow Leosadia Begbick, a saloon-keeping trollop, has to bundle up in ratty Lotte Lenya togs and belt out a couple of those sour songs that were Mrs. Weill's stock-in-trade. (The words for most of these songs are by Mr. Bentley, the music--as Wall-ish as a composer of Sing Musel can make...

Author: NO WRITER ATTRIBUTED | Title: A Man's A Man | 8/10/1961 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | Next