Word: trombonist
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Dates: during 1930-1939
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...pick up occasional pin money playing for Victory dances, etc. They invited Fred, a violinist who preferred the banjo to join in. Another banjoist, Fred Buck, joined too. Four-strong, they barnstormed Pennsylvania's busy mining district, picked up a sax player or so, a trumpeter, a trombonist, soon had ten players. Soon the burgeoning Pennsylvanians were on the road, on the air, in the movies for good and plenty. Their biggest year was 1936, when they were collecting $13,600 weekly for Ford broadcasts, as much and more weekly for theatre work...
Participating players, almost a Who's Who of topflight U. S. jammers, included Clarinetists Joe Marsala, Milton Mesirow, Peewee Russell; Saxophonists Bud Freeman, Sid Bechet; Cornetists Bobby Hackett, Hotlips Paige; Pianist Jess Stacey; Trombonist Tommy Dorsey; Drummers Dave Tough and Zutty Singleton. Present also were No. 1 Swing Pundit Hugues Panassié, grey-haired Blues-writer William Christopher Handy (St.Louis Blues, Memphis Blues). This prime assortment of talent bumped slightly at the takeoff, but in the final ensemble lived up to its big names...
TIME did not say that NBC 'enticed" Hornist Berv, Contrabassist Torello and Trombonist Gusikoff, merely stated that Philadelphia Orchestra's Manager Alfred Reginald Allen had "caught [them] ... in the act of reaching for NBC contracts...
...last week Philadelphia newshawks revealed that Manager Allen had caught at least three Philadelphia Orchestra men in the act of reaching for XBC contracts. A six-months-notice clause in their contracts (upheld by American Federation of Musicians' President Joseph N. Weber at a special Manhattan conference) foiled Trombonist Charles Gusikoff and Contrabassist Anton Torello. But prized Horn Player Arthur I. Berv got loose, signed up with NBC. Oboist Tabuteau and Flutist Kincaid, whose Philadelphia salaries are rumored to be in the neighborhood of $300 per week, would not say whether they had been tempted, indicated they would stay...
...organ. Fletcher Henderson, who played the piano for her Weeping Willow Blues, with Joe Smith on the cornet, calls this the greatest blues record ever made. Careless Love is W. C. Handy's arrangement of what is almost a U. S. folk song. Trombone Cholly, with the late Trombonist Charlie Green playing among Bessie Smith's "Blue Boys," is a classic for all connoisseurs of the "sliphorn." For Backwater Blues, James P. Johnson, teacher of "Fats" Waller, furnishes an able piano accompaniment. Only three of the twelve sides in the Bessie Smith Album are devoted to Broadway songs...