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Word: troubadours (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

When gangsta rap came under fire as a threat to America's moral values, a few people stood up and defended hip-hop artists as troubadours of the ghetto, even if artists that truly deserved that tag were few and far between. Nasir Jones (aka Nas, aka Nasty Nas, aka Nas Escobar, aka Nastradamus) was one such rapper. Nastradamus, his newest album, cements his reputation as urban troubadour or, as "Come Get Me" announces, "America's foremost young poet." From "The Prediction" to "The Outcome"--prophetic and apocalyptic spoken-word joints from poet Jessica Care Moore--Nas' album...

Author: By Franklin Leonard, | Title: Album Review: Nas, Nastradamus | 12/10/1999 | See Source »

...still work. They date all the way back through New Kids, the Jackson Five and the Monkees to the Beatles, who in their earliest, cuddliest incarnation were the progenitors of this sort of thing--if you don't count Frank Sinatra or Franz Liszt or probably some medieval troubadour no one remembers...

Author: /time Magazine | Title: Music: Big Poppa's Bubble Gum Machine | 2/1/1999 | See Source »

...Jewel has come up with a beautifully calibrated set of songs that honors her folk roots but also builds on them, using a framework of light rock that gives her music a robust new feel and builds a bridge to what looks like a bright future for this talented troubadour...

Author: /time Magazine | Title: Music: The Best Of 1998 Music | 12/21/1998 | See Source »

Maybe you know the myth, maybe you don't. It simply doesn't matter. Forget all your preconceptions about Bob Dylan--the poet-troubadour, the over-rated 60's protest-song writer, Mr. "Blowin' in the Wind", or even the man with a voice that sounds like a cat choking on a hairball. It simply doesn't matter--Live 1996 will surprise Dylan-lovers, haters and I-don't-knowers alike...

Author: By Teri Wang, CONTRIBUTING WRITER | Title: 1966: Hip(py)er than 1066 | 12/11/1998 | See Source »

...July afternoon, Paul Simon was fiddling with dials on a control panel in a cramped recording studio in midtown Manhattan. With most of his hair gone and his plump face inching toward jowly, the pop troubadour, 56, has reached unmistakable middle age. But the mellow, yearning voice coming through the sound system has changed little: "I was born in Puerto Rico/ Came here when I was a child..." Simon was preparing the mix for a song from The Capeman, his new musical that recounts a bloody tabloid crime from the 1950s, explores questions of guilt and redemption and introduces...

Author: /time Magazine | Title: Theater: Seeking Salvation for the Capeman | 2/2/1998 | See Source »

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