Word: trudy
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Dates: during 1930-1939
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...elaborate production number that takes place in her daydreams while she is lounging by a California swimming pool. For, as Ginger Rogers yearns to do, and occasionally does, pictures without her dancing shoes, Sonja Henie's ambition is to do one without her skates. Judging from the acting Trudi Hovland does before her glass with heavy dramatic lines like "Let me go, Aye tall yu," this ambition will take some realizing. But so have all Sonja Henie's ambitions. And as she herself has remarked: "Most always...
Second Fiddle displays Sonja as Trudi Hovland, a schoolmarm of Bergen, Minn. who is called to Hollywood because her local swain has sent her photograph to Consolidated Pictures Corp., which has been looking high & low for just such a heroine.* Jimmy Suttou (Tyrone Power), the pressagent sent to Bergen to fetch her, at first treats her merely as Entry No. 436. He agrees that she has no chance for the part but talks her into flying to Hollywood for the trip, with her Aunt Phoebe (Edna May Oliver). After a twirl on the ice with her pupils, Trudi consents. Although...
...great Hungarian paddler, in the semi-finals and Defending Champion Richard Bergmann of Austria in the final of the men's singles. In the men's doubles, the Hungarian team of Barna & Bellak were set back by Sol Schiff & Jimmy McClure of the U. S. An Austrian, Trudi Pritzi, won the women's singles. But Hungary regained the Swaythling...
...Trudi Schoop, the one-of-akind dance comedian, is to appear with her comic ballet at Symphony Hall this Friday evening and Saturday afternoon. Often called the "Charlie Chaplin of the Dance", she has made this type of humor a real art and quite in a class by itself. The program has eight different scenes which include the Meyer Home. At the Hairdresser's. At Rehearsal...
...reluctantly leaves his mother, ventures out into the world where his trials are many. He encounters seductive women, blustering athletes, religious fanatics, gets involved in a marriage and a host of bothersome in-laws, deserts them all with a shrug to find some other life. Throughout the many scenes Trudi Schoop was the picture of bewilderment, a small pathetic figure in a black sleeveless tunic, an absurd clerical hat. Her pantomime was always effective. She danced occasionally but she was just as communicative standing still. She spoke with her eyes, her wide childish grin, her expressive hands. European critics have...