Word: true
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Dates: during 1970-1979
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...True, the chapter is over, but the book is far from finished. All factors indicate that this past season's 22-7 record will be the team's poorest for at least a couple of years. Only one starter, Captain Tom Joyce, will be missing next year, and Park finds himself with an overabundance of substitutes there. The all-freshman infield of Bingham, Stenhouse, Burke, St. John and Rick Pierce "should be the best defensive infield I've ever had at Harvard in another year," Park noted. Singleton will continue his leadership in center field and everywhere else. The arms...
...watched or read about Harvard baseball also knows where the team's talent, confidence and desire can and very well might take them. True, this analysis and appraisal is dated, but one will never understand how far this ballclub can go without a good look at how far it has already come
Noelle faithfully waits for Douglas but he never returns and she learns that what for her was true love was for him a casual affair. Hell hath no fury like a woman scorned and Noelle accordingly swears vengeance. Progressing from bedroom to bedroom, Noelle eventually becomes a famous actress or in a position to gain her revenge. By this time, Larry has married a pert American girl named Catherine and the audience has sat through another sequence of glossy romantic shots, this time in Washington. Noelle manages to hire Larry, recently out of work and desperate...
...regional writer in Los Angeles, the world's most celebrated suburb of nowhere. Eve Babitz -Hollywood born and raised-tries and immediately runs into a problem. "In Los Angeles," she writes, "it's hard to tell if you're dealing with the real true illusion or the false one." An author who distinguishes between true and false illusions must be carefully watched. Babitz calls the ten pieces in her book "tales," but they clearly belong to the mode of parafictions: a mix of autobiography, journalism and the techniques of the short story...
...Coward, yet not quite his equal. Though Porter was a wily wizard of rhyme, he lacked some of the inventive fun of Coward's lines. Despite Porter's infatuation with what he called the "rich-rich," he is less intercontinental than Coward. His true territorial imperative was Broadway. The propellent force in his songs is to reach and grab a New York audience. In this production, the women clearly outshine the men. Each has a distinct personality in manner and voice. Maureen Moore has a cheerleader's strut, a wickedly independent pelvis and a blazing trumpet...