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Word: true (lookup in dictionary) (lookup stats)
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...your stories in the book seem almost too hilarious to be true. What's the line you draw between keeping things accurate and exaggerating for humor? There's not a lot of exaggeration in my stories. You learn that lesson the James Frey way. I'm looking through the book right now trying to think if anything was really exaggerated, and it's like, I don't think so. They're all really true. I don't have to exaggerate a lot, because my life is ridiculous...

Author: /time Magazine | Title: Late-Night Host Chelsea Handler | 3/9/2010 | See Source »

...this spectrum that we find Broken Bells, the new collaboration between James Mercer, lead singer of The Shins, and producer/musician Brian Burton a.k.a. Danger Mouse. The folk guitar strumming and soaring voice of Mercer fits impeccably into the hip-hop beats and electronic ambiance of Danger Mouse. However, a true synergy of the two styles never really comes across, leaving, simply, an undeniably catchy, though not terribly innovative, pop record...

Author: By Matt E. Sachs, CRIMSON STAFF WRITER | Title: Broken Bells | 3/9/2010 | See Source »

...Alice in Wonderland” holds true to the fascinatingly eerie vibe synonymous with the Tim Burton brand but leaves much to be desired in the realm of plot innovation. The film fast-forwards many years after Alice’s (played by newcomer Mia Wasikowska) initial visit to Wonderland, depicting a 19 year-old Alice who has forgotten her prior experiences. The subsequent journey ensues when she discovers her hidden destiny to take down the reign of the stifling Red Queen, played by Helena Bonham Carter...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Alice in Wonderland | 3/9/2010 | See Source »

...word, contrived. The people in it are props, with actions dictated by the director just as much as anything else on screen. In this way, the film manipulates its characters, its plot, and its audience to teach a pseudo-sophisticated moral about how being true to one’s self is a greater pleasure than all the money, luxury, and girls that charm can buy. “The Good Guy” forgets that it’s hard for a film to preach integrity when its script has none...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: The Good Guy | 3/9/2010 | See Source »

...made, it feels obvious, and neither slavery nor vampirism reveals anything in particular about the other. One could imagine a richer, subtler treatment of the subject, in which the two horrors multiply each other rather than cancel each other out. The institution of slavery revealed something about the true face of young America, something unspeakable, but literalizing it in the form of a vampire turns out to not get us any closer to understanding what...

Author: /time Magazine | Title: Critique of Abraham Lincoln: Vampire Hunter | 3/8/2010 | See Source »

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