Word: trumbo
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...virtuosity receives ample display, the buzkashi alone is thunderously exciting and imparts a startling sense of participation. But he has tried to do too much. Besides his obsession with courage, he obviously also wanted to say something about greed, honor and duty, but the themes never mesh. Dal ton Trumbo's screenplay and his fake Arabian Nights dialogue do nothing to help. There is much talk of "the coolness of my shop" and characters greet each other with such fulsome salutations as "Peace on you, O master of the stables." Miss Taylor-Young bolts across the Panavision screen flaring...
...Peace Treaty and his disgust with the war. So while his two-day visit to Boston includes a day-long round of interviews, tapings and television appearances, it primarily centers on a fund-raising cocktail party with Noam Chomsky speaking against the war and Sutherland reading passages from Dalton Trumbo's Johnny Get Your Gun, the money raised going to support various drives to bring the People's Peace Treaty before the American electorate...
...plays a prostitute. (Currently, he has also joined Fonda and a number of other entertainers in expressing their willingness to entertain Gl's on American bases-as a counter to the Hope-Raye junkets to Asia.) And he's also completed a cameo appearance in he screen adaptation of Trumbo's Johnny. With associations like that it's only natural to ask how Hollywood views his political involvement...
...flame of Miss Andrews, with an enthusiasm that can only be traced to a probable conviction that he was acting in another movie. Although he appears frequently, at one time arriving with a complete New England house boxed and numbered, his effect on the central action is non-existent. Trumbo and Taradash obviously intended Hoxworth to pump some life into the sorry mess, but he remains curiously unaffecting and eerily unaffected. When the tide flows out after 20-some-odd years (how did they ever manage to squeeze it all into three-and-a-half hours?) all we know about...
...Daniel Taradash and Dalton Trumbo's script manages to establish any characterization at all, it does so by repetition rather than incisive writing. The Reverend Hale, played Swedishly by von Sydow, is so unswervingly dogmatic about his job that he soon exhausts the audience, which watches his predictable life-story with bovine good nature, groaning "Oh no, not again!" at his every line. Julie Andrews stoically survives the pangs of sexual frustration, the pain of childbirth, and the ravages of time, until the make-up department decides she can't take any more, at which point she is allowed...